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Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

"I said, Joe, you'll be standing there with this fish in your hand, and you'll be smiling and whistling even though nobody's around, holding it up for God and all the other fish to see, and that's when it'll hit you. A blood clot will loosen and fire through your arteries like a bullet down a rifled barrel. Boom! Right into the brain. You'll lose cognitive function, I said. You'll drop into the water. Nobody'll be there for you. You'll die, and the fish swims on."

Paul is quiet. He worries at his lip with the too-white teeth of a teenager.

"That's how they found him," Paul says. "Pole in hand."

Miriam chuckles. "Pole in hand."

Paul blinks.

"Get it? Pole? In hand? You know, like, his dick?" She waves him off, and pulls out another Marlboro. "Well, screw you, then. Joe would've liked it. Joe appreciated the finer points of a double entendre."

"Did you sleep with him?" Paul asks.

Miriam feigns shock. She fans herself like a wounded Southern debutante.

"Why, Paul, what do you think of me? I am the very model of chastity." He isn't buying it. She lights the cigarette and waves him off. "Dude, I discarded the key to my virginity belt long ago – just up and tossed it into a river, I did. That being said – no, Paul, I did not bang your uncle. We just drank together. Closed out the bar. And then he went on his way and I went mine. I wasn't sure he really believed me until you found me."

"He told me about it a month or so before he died," Paul says, running his fingers through his unkempt hair. Paul stares off at a distant point, remembering. "He totally believed it. I said, just don't go fishing that day. And he shrugged and just said, but he really wanted to go fishing, and if that's how he was going to die, then so be it. He got a thrill out of it, I think."

Paul reaches over and turns on the digital recorder. He watches her carefully. Is he looking for her approval? Does he think she'll reach over and bite him?

"So," he asks. "How does it work?"

Miriam takes a deep breath. "This thing that I have?"

"Yes. Yeah. That."

"Well, Paul, this thing? It's got rules."

THREE

Louis

Long highway. Everything else is black, pulled away into shadow. All that exists is what the headlights reveal – the glowing middle line, the center divider, a pine tree or exit sign as it emerges from darkness and passes back to darkness.

The big trucker is as his shadow suggested: canned-ham hands, shoulders like hunks of granite, a chest like a bunch of barrels strung up together. But he's clean-shaven, with a soft face and kind eyes, hair the color of beach sand.

Probably a rapist, Miriam thinks.

The cab of the truck is clean, too. Almost too clean, not a speck of dust or road grime. A control freak, clean freak, rapist serial killer wear-the-skins-of-women freak, Miriam thinks. The radio and CB sit mounted on a chrome plate. The seats are brown leather. (Probably human leather.) A pair of dice – hollow aluminum, with the dots punched out – hang from the rearview, lazily spinning.