Back Blackbirds Save as PDF
Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

Blood back in her hands, she does it before she realizes it –

She punches Harriet right in the ear.

The little Napoleon stumbles out of the tub, clutching the side of her head. Miriam struggles to clamber over the lip of the porcelain and falls to the tile floor, shoulder-first.

"Maybe you're not clear," Harriet growls, "on the definition of docile."

She grabs Miriam by the hair, slams her head into the side of the tub.

Miriam's world rings like a goddamn bell. It barely even hurts anymore. It's mostly a dull thudding, like she's just a bag of sand that someone keeps hitting with a cinderblock. Part of her thinks, the pain is over, at least, but it turns out that this is an entirely inaccurate sentiment.

Before she knows what's happening, Harriet's got her on her wobbly feet, and Miriam wonders why she sees herself standing in front of her. Is this a near-death experience? An out-of-body moment? She stares into her own eyes for a moment, blinking.

Then she rushes to meet herself, like maybe she's going to give her own lips a drunken, sloppy, blood-bubbled kiss –

Crack.

Her skull feels like an apple that's been split with a camping hatchet. It occurs to her: Harriet just slammed my head into the mirror.

Sure enough, she sees herself fractured into a thousand little shards, the spider in the center of a jagged web. Pieces drop away. Blood soaks her face.

Harriet – now surprisingly gentle – rests Miriam on the floor, face up.

"There we go," Harriet says. "A docile little girl."

Miriam tries to say something, but she only blows bubbles of red spittle. Her wet lips smack together. Sound reaches her ears too late, or distorted, like she's in an oil drum. And every time her heart beats, it's like someone pounds on the outside of that oil drum with a sledgehammer. Miriam's a piece of ruined meat. She feels raw.

She tries to push herself up, but her hands won't even get underneath her. They just slide away, spread eagle, fingers curling in like the legs of a dead bug.

Her head tilts, cheek against the tile – an act that occurs not of her own volition.

The floor is cool, and she wants just to lie there and close her eyes and curl up there forever. Maybe I'll die here, she thinks, and not far away she sees one of the blank pages from her diary halfcurled against a radiator. Maybe this is the end of the line.

Maybe that's okay.

A heavy weight suddenly rests on her chest.

Groggy, she tilts her chin and sees Harriet above, smiling.

The gun is on her chest. Every time her heart beats, the pistol trembles.

"Consider the gun a present," Harriet says. She sounds like she's speaking to Miriam from the other side of a burbling fish tank. "The diary is done. Your trucker boyfriend will be dead by dusk. You hurt all over. Make the pain go away."