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Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

But it doesn't matter, because the shovel comes down again.

Miriam hears a baby crying, a hard echo in the bathroom, coming from the hallway. The squalls are suddenly drowned, like the baby's choking, gurgling in its own fluids, and then the screams are cut short entirely and all goes dark.

She hears Louis's voice whisper in her ear: "Six more days, then I'm dead."

TWENTY-SEVEN

End of the Road

The whisper, harsh in her ear, lingers as she jolts awake.

"I'm sorry," Miriam blurts.

Louis looks over at her as he wheels the truck off past the exit ramp and through a tollbooth. "Sorry for what?"

For letting you die, she thinks. Her hair is stringy, sweaty. It clings to her forehead.

"Nothing. I thought – I think I was snoring."

"You weren't."

"Well. Good."

She rubs her eyes. It's night. The windshield is wet from recent rain, but in the jaundiced streetlights it looks like someone pissed all over the glass.

"Where are we?" she asks.

"Pennsylvania. Headed toward a truck stop in Coopersburg. I got a buddy up there who's real good with trucks. Has a gift. I like him to do all my maintenance, and whenever I swing through this area, I always pay him a visit."

She smacks her lips together. Her tongue rasps against the roof of her mouth. A case of total cottonmouth. Cigarette. Coffee. Booze. One of those three would be nice right now.

"Pennsylvania. Weren't we just in Ohio?"

"We were. But then you fell asleep."

"Shit. That's a long trip, isn't it?"

He shrugs. "Not really. About eight, nine hours. That's the name of the game. Go as far as you can, fast as you can – we get paid by the mile."

"So that's why most truckers drive like a bull in a china shop."

"Yup. They're trying to feed their families, so they pop No-Doze or worse and push it. Sometimes beyond the breaking point." His voice gets quiet. "I don't have a home, don't have a family to feed, so I can take it easy. Even taking it easy, I make about thirty-five cents a mile, and today we did a five-hundred-plus mile haul – that's darn near two-hundred bucks. I pull in about sixty grand a year, and I don't have a mortgage, don't have many bills."

"Does it bother you? This life? You're basically… a nomad. You have no home."

"Neither do you."

"I know. And I love it… sometimes. I love that I'm just a piece of garbage floating down the stream – wherever it takes me, it takes me. But I also hate it. I never feel connected to anything or anybody. No anchor. No roots."

"I feel connected to you," he says.

"I feel connected to you, too," she responds, and yet she marvels at how feeling connected to him also makes her feel more distant. A paradox, an impossibility, but there it is. She's close to him, but between them lurks a great and monstrous gap: the yawning abyss betwixt life and death.