Back Blackbirds Save as PDF
Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

Miriam tries not to laugh, but she laughs. He looks hurt, and she waves him off. "I'm not laughing at you, dude, I'm laughing at me. At the situation. Irony is alive and well. You're the farthest thing from weird. You're a thousand million miles from weird. Trust me. I'm the odd duck. Not you. You're just a guy. A very nice guy. I'm the crazy bitch who had a spaz attack."

"No, I get it – long night, long highway, stressful situations, it's all good." Louis pulls a crumpled receipt from his jeans pocket and fishes out a pen. He presses the receipt up against the Waffle House window and writes something, then gives it to her. "That's my number. My cell; I don't have a landline anymore. I can't pick up another load for a few days – the economy basically fell off the horse and it hurts the little guys like me – but that means I'm still around."

"You're still around," she says. Knife in eye. Slurping sound. Miriam? "Well. I dunno."

"Who's this?" Ashley asks, coming out of the Waffle House, rangy arms crossed, a defensive posture. "Friend of yours?"

"No," she says. "Yes. I dunno. He gave me a ride."

Louis towers over Ashley. He's a pillar, a monolith. Ashley is just a wind-blown blade of grass in his shadow. Doesn't stop him from sticking his chin out and puffing up his chest. The two men stare bullets at each other.

"This your old boyfriend?" Louis asks.

"What? The black-eye boyfriend?" Miriam can't help but laugh. "No. Gods, no."

"Good meeting you, big guy," Ashley says. "We gotta split. See you later."

"Okay," Louis says. "I get it. I'm going to go inside, get a waffle."

Ashley smiles. "Smart way to play it, buddy."

Louis just grunts, and it's like the air has been sucked out of him. He's a big guy, like Ashley said, but suddenly he looks very small. Louis tosses Miriam a sad look over his shoulder, then heads inside. Ashley makes a jerk-off motion with his hand. "Toodle-oo, fucker," he says, laughing.

SIXTEEN

Gravity

Still night. Still pissing rain.

Ashley presses her up against the brick wall. He parked the car. He said he wanted to show her something. They got out, and now here they are. The city's noises play around them – mild for a city, but still loud: the honking, the yelling, the laughing, the music drifting from somewhere far away.

Miriam feels the brick against her back. Ashley's up against her.

"Fuck off of me," she says, pushing him back. But he moves right back into place, like one of those clowns you punch down just so he can stand back up, grinning.

"You knew him," he whispers, chuckling. "The trucker."

"He gave me a ride. He's just a guy."

She smells his breath. Mint. She's surprised to see him lolling a Lifesaver around on his tongue. Miriam hopes her breath smells like an ashtray.

Ashley's nose touches her own; then his cheek is against her cheek. His skin is smooth. No stubble. Feminine, almost. Hot breath reaches her ear.