Back Big Lies in a Small Town
Chapters (70)
  1. PROLOGUE
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5. Morgan
  7. Chapter 6. Anna
  8. Chapter 7. Morgan
  9. Chapter 8. Anna
  10. Chapter 9. Morgan
  11. Chapter 10. Anna
  12. Chapter 11. Morgan
  13. Chapter 12. Anna
  14. Chapter 13. Morgan
  15. Chapter 14. Anna
  16. Chapter 15. Morgan
  17. Chapter 16. Anna
  18. Chapter 17. Morgan
  19. Chapter 18. Anna
  20. Chapter 19. Morgan
  21. Chapter 20. Anna
  22. Chapter 21. Morgan
  23. Chapter 22. Anna
  24. Chapter 23. Morgan
  25. Chapter 24. Anna
  26. Chapter 25. Morgan
  27. Chapter 26. Anna
  28. Chapter 27. Morgan
  29. Chapter 28. Anna
  30. Chapter 29. Morgan
  31. Chapter 30. Anna
  32. Chapter 31. Morgan
  33. Chapter 32. Anna
  34. Chapter 33. Morgan
  35. Chapter 34. Anna
  36. Chapter 35. Morgan
  37. Chapter 36. Anna
  38. Chapter 37. Morgan
  39. Chapter 38. Anna
  40. Chapter 39. Morgan
  41. Chapter 40. Anna
  42. Chapter 41. Morgan
  43. Chapter 42. Anna
  44. Chapter 43. Morgan
  45. Chapter 44. Anna
  46. Chapter 45. Morgan
  47. Chapter 46. Anna
  48. Chapter 47. Morgan
  49. Chapter 48. Anna
  50. Chapter 49. Morgan
  51. Chapter 50. Anna
  52. Chapter 51. Morgan
  53. Chapter 52. Anna
  54. Chapter 53. Morgan
  55. Chapter 54. Anna
  56. Chapter 55. Morgan
  57. Chapter 56. Anna
  58. Chapter 57. Morgan
  59. Chapter 58. Anna
  60. Chapter 59. Morgan
  61. Chapter 60
  62. Chapter 61
  63. Chapter 62
  64. Chapter 63
  65. Chapter 64
  66. Chapter 65
  67. Chapter 66
  68. Chapter 67
  69. Epilogue: Morgan
  70. Acknowledgements

She stood up, and it took her a moment to shake off the surprise of what she’d seen in his sketchbook before she walked toward the cartoon paper. “Well, let me tell you what’s happening here,” she said. She explained about the cartoon and that she would be working on it while he and Theresa and Peter built a stretcher for the canvas, which she hoped would arrive in the Norfolk art supply store shortly. “The stretcher is very exacting work,” she said, thinking that she really should have accepted Martin Drapple’s offer to help with it. It had to be accurate to the inch.

“I done door framin’,” Jesse said, only his accent was such that it took her a minute to understand what he meant. “My aunties and uncles and everbody call me to do it ’cause I know how to miter them corners right. Miss Furman give me some canvas and I made frames to stretch them over, even with bevel edges and all. I’m good at it.”

“This’ll be a bigger project than any you’ve done,” Anna said. “Way bigger even than a door frame.”

“Jes’ leave it to me,” he said, and Anna began to worry that he would boss Theresa and Peter around. She shouldn’t have, though.

When Theresa and Peter arrived, Jesse changed into a different boy. His bravado and self-confidence seemed to disappear, and it took Anna a while to realize that he felt the need to defer to them. That deference was expected of him. She didn’t like seeing the change in him. He communicated with the two of them in grunts, acquiescing to Peter’s directions, which were, fortunately, excellent. She had to admit that these boys who grew up on self-sufficient farms were good with their hands. She didn’t think the Plainfield boys she’d gone to high school with would have known what to do with all that wood.

Gradually, though, the awkwardness between the boys seemed to ease up. Anna had bought some cotton work gloves for all of them to use to protect their hands, but the boys just laughed at her.

“Miss Anna,” Peter said, “we don’t need no gloves! We build fences with our bare hands!” He looked at Jesse as if for corroboration, and Jesse picked it right up.

“An’ butcher hogs with our bare hands, too!” he said.

“An’ muck out the stables!” Peter said. “An’—”

“All right, all right!” Anna laughed.

Theresa rolled her eyes in annoyance at the boys and held out her hand for a pair of the gloves. It looked like she and Anna would be the only ones wearing them.