Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
She stood up, and it took her a moment to shake off the surprise of what she’d seen in his sketchbook before she walked toward the cartoon paper. “Well, let me tell you what’s happening here,” she said. She explained about the cartoon and that she would be working on it while he and Theresa and Peter built a stretcher for the canvas, which she hoped would arrive in the Norfolk art supply store shortly. “The stretcher is very exacting work,” she said, thinking that she really should have accepted Martin Drapple’s offer to help with it. It had to be accurate to the inch.
“I done door framin’,” Jesse said, only his accent was such that it took her a minute to understand what he meant. “My aunties and uncles and everbody call me to do it ’cause I know how to miter them corners right. Miss Furman give me some canvas and I made frames to stretch them over, even with bevel edges and all. I’m good at it.”
“This’ll be a bigger project than any you’ve done,” Anna said. “Way bigger even than a door frame.”
“Jes’ leave it to me,” he said, and Anna began to worry that he would boss Theresa and Peter around. She shouldn’t have, though.
When Theresa and Peter arrived, Jesse changed into a different boy. His bravado and self-confidence seemed to disappear, and it took Anna a while to realize that he felt the need to defer to them. That deference was expected of him. She didn’t like seeing the change in him. He communicated with the two of them in grunts, acquiescing to Peter’s directions, which were, fortunately, excellent. She had to admit that these boys who grew up on self-sufficient farms were good with their hands. She didn’t think the Plainfield boys she’d gone to high school with would have known what to do with all that wood.
Gradually, though, the awkwardness between the boys seemed to ease up. Anna had bought some cotton work gloves for all of them to use to protect their hands, but the boys just laughed at her.
“Miss Anna,” Peter said, “we don’t need no gloves! We build fences with our bare hands!” He looked at Jesse as if for corroboration, and Jesse picked it right up.
“An’ butcher hogs with our bare hands, too!” he said.
“An’ muck out the stables!” Peter said. “An’—”
“All right, all right!” Anna laughed.
Theresa rolled her eyes in annoyance at the boys and held out her hand for a pair of the gloves. It looked like she and Anna would be the only ones wearing them.