Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
“And how about Morgan?” he asked.
I looked at him, perplexed. “How about Morgan?”
“How are you doing with finding some peace?”
I shook my head. “Not so well,” I said. “I’m…” I searched for the right word. “I’m ashamed of who I was.”
“‘Was’ is the definitive word in that sentence, Morgan.” He nodded toward the mural. “And I think you’re the perfect person to work on this mural,” he said, with a small smile.
“You do? Why?”
“You and Anna,” he said. “I think it’s safe to say that, for whatever reason, she had her own share of nightmares. I know you already care about her, don’t you?”
I nodded. He was right. I did.
“I have the feeling that if anyone is going to do right by her,” he said, “it’s you.”
Chapter 32. Anna
Chapter 32
ANNA
January 24, 1940
Jesse was lying to her. She’d wanted to believe him when he said he had all those extra periods at school and that was why he was able to spend so much time in the warehouse, coming a couple of hours earlier than Peter each day. She’d wanted it to be the truth. But she’d received a letter from Mrs. Furman, his art teacher, the day before, telling her that Jesse was failing every subject except art. He’s skipping most of his classes, Mrs. Furman wrote. Perhaps I made a mistake, sending him to work with you.
Anna read and reread the short letter, her heart sinking. Yesterday, Jesse’s eyes had been bloodshot from lack of sleep because he’d stayed up late to devour the latest library book she’d brought him.
“I want to learn everythin’,” he’d told her when he arrived in the warehouse. He’d set the heavy book on the Old Masters down on one of the warehouse tables, his hand resting on top of it as if he could soak up everything in its pages through his skin.
She’d been delighted as usual by his enthusiasm. “Which of the artists were you most drawn to?” she’d asked.
“I got a favorite,” he said. “That Vermer fella.”
“Vermeer.” She corrected him with a smile. “And which Vermeer do you like best?” She fully expected him to pick nearly everyone’s favorite, The Girl with the Pearl Earring, but he surprised her.
“I like that Geographer one,” he said. “I like how the light is comin’ through the window with all them little panes.” He glanced down at the book. “I looked at it for a hour last night,” he said. “I wanna know how to paint like that.”