Chapters (70)
- PROLOGUE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5. Morgan
- Chapter 6. Anna
- Chapter 7. Morgan
- Chapter 8. Anna
- Chapter 9. Morgan
- Chapter 10. Anna
- Chapter 11. Morgan
- Chapter 12. Anna
- Chapter 13. Morgan
- Chapter 14. Anna
- Chapter 15. Morgan
- Chapter 16. Anna
- Chapter 17. Morgan
- Chapter 18. Anna
- Chapter 19. Morgan
- Chapter 20. Anna
- Chapter 21. Morgan
- Chapter 22. Anna
- Chapter 23. Morgan
- Chapter 24. Anna
- Chapter 25. Morgan
- Chapter 26. Anna
- Chapter 27. Morgan
- Chapter 28. Anna
- Chapter 29. Morgan
- Chapter 30. Anna
- Chapter 31. Morgan
- Chapter 32. Anna
- Chapter 33. Morgan
- Chapter 34. Anna
- Chapter 35. Morgan
- Chapter 36. Anna
- Chapter 37. Morgan
- Chapter 38. Anna
- Chapter 39. Morgan
- Chapter 40. Anna
- Chapter 41. Morgan
- Chapter 42. Anna
- Chapter 43. Morgan
- Chapter 44. Anna
- Chapter 45. Morgan
- Chapter 46. Anna
- Chapter 47. Morgan
- Chapter 48. Anna
- Chapter 49. Morgan
- Chapter 50. Anna
- Chapter 51. Morgan
- Chapter 52. Anna
- Chapter 53. Morgan
- Chapter 54. Anna
- Chapter 55. Morgan
- Chapter 56. Anna
- Chapter 57. Morgan
- Chapter 58. Anna
- Chapter 59. Morgan
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Epilogue: Morgan
- Acknowledgements
“I remember my father telling me it had originally been rolled paint side in, though,” Lisa said. I glanced at her and could see that she had a death grip on her phone. She was as worried as I was about what we would find. “I don’t know for how long,” Lisa continued. “Hopefully it didn’t do too much damage.”
The men had finished unrolling the canvas, which had been wrapped around an enormous, thick, sturdy cardboard tube. Adam and Wyatt rolled the tube aside.
“It’s massive,” I said, overwhelmed by the sheer breadth of the canvas.
“So how do we turn it over without wrecking it?” Adam asked.
Oliver lowered himself to his haunches at one corner of the overturned mural. He touched one ragged-looking edge of the canvas. Lifted it gingerly to peer beneath. “The artist left a good eight inches of unpainted canvas on the borders.” He looked up at Adam and Wyatt. “Get me an eight-foot two-by-four,” he said.
Adam and Wyatt took off for the interior of the building, while Lisa walked toward the windows and began typing on her phone. Oliver turned to me. “Have you worked on one this size?” he asked.
“No,” I said, trying to produce a self-confident smile. “This’ll be a first.” An understatement.
The men quickly returned with the long piece of wood. I watched while Oliver laid it on one of the short ends—short being a relative term—of the canvas and tacked it into place with some device he’d pulled from his pocket. Then he got to his feet, nodded to Wyatt, and they carefully lifted the two-by-four, raising it high above their heads, while Adam and I gently unfolded the canvas from beneath it. Finally the canvas, still covered with the muslin, lay flat on the floor. Oliver stood on one side with Wyatt on the other, and the two men slowly pulled the muslin aside until the full mural was revealed.
I stared wordlessly at the grimy painting. We all did. It took thirty seconds at least before I finally said what all of us were surely thinking.
“What the hell?”
Chapter 6. Anna
Chapter 6
ANNA
December 7, 1939
Anna was the last to arrive in her hotel restaurant, although she was right on time—noon—and she had the feeling the four men—the important gentlemen of Edenton—had met early to discuss how to deal with her. She wore her dark blue dress—the one her mother had loved on her—along with her white gloves and blue pillbox hat. She thought she looked every inch the lady.