Back Big Lies in a Small Town
Chapters (70)
  1. PROLOGUE
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5. Morgan
  7. Chapter 6. Anna
  8. Chapter 7. Morgan
  9. Chapter 8. Anna
  10. Chapter 9. Morgan
  11. Chapter 10. Anna
  12. Chapter 11. Morgan
  13. Chapter 12. Anna
  14. Chapter 13. Morgan
  15. Chapter 14. Anna
  16. Chapter 15. Morgan
  17. Chapter 16. Anna
  18. Chapter 17. Morgan
  19. Chapter 18. Anna
  20. Chapter 19. Morgan
  21. Chapter 20. Anna
  22. Chapter 21. Morgan
  23. Chapter 22. Anna
  24. Chapter 23. Morgan
  25. Chapter 24. Anna
  26. Chapter 25. Morgan
  27. Chapter 26. Anna
  28. Chapter 27. Morgan
  29. Chapter 28. Anna
  30. Chapter 29. Morgan
  31. Chapter 30. Anna
  32. Chapter 31. Morgan
  33. Chapter 32. Anna
  34. Chapter 33. Morgan
  35. Chapter 34. Anna
  36. Chapter 35. Morgan
  37. Chapter 36. Anna
  38. Chapter 37. Morgan
  39. Chapter 38. Anna
  40. Chapter 39. Morgan
  41. Chapter 40. Anna
  42. Chapter 41. Morgan
  43. Chapter 42. Anna
  44. Chapter 43. Morgan
  45. Chapter 44. Anna
  46. Chapter 45. Morgan
  47. Chapter 46. Anna
  48. Chapter 47. Morgan
  49. Chapter 48. Anna
  50. Chapter 49. Morgan
  51. Chapter 50. Anna
  52. Chapter 51. Morgan
  53. Chapter 52. Anna
  54. Chapter 53. Morgan
  55. Chapter 54. Anna
  56. Chapter 55. Morgan
  57. Chapter 56. Anna
  58. Chapter 57. Morgan
  59. Chapter 58. Anna
  60. Chapter 59. Morgan
  61. Chapter 60
  62. Chapter 61
  63. Chapter 62
  64. Chapter 63
  65. Chapter 64
  66. Chapter 65
  67. Chapter 66
  68. Chapter 67
  69. Epilogue: Morgan
  70. Acknowledgements

“My aunt Jewel saw the picture … the photograph of this in the post office,” he said, nodding respectfully toward the sketch rather than touching it. “She told me all the bits and pieces you got here and I thought, that gonna look like a big ol’ bowl of Brunswick stew for sure. But it don’t. The way you spread it all out, and how you made this part—the trawler and the Mill Village—how you made them smaller but they still stand out. It looks right good.”

“Thank you, Jesse,” she said. “I think you have a real artist’s eye. Can I see some of your drawings?” She carefully moved her sketch aside so he could put his sketchbook on the table, facing her. He handled the book with a delicacy she understood. It was precious to him, and she was touched. She would handle the pages with the same care as she turned them.

To say she was astonished by his skill would have been an understatement. She had to keep reminding herself that he was an untrained seventeen-year-old. The sketch pad contained portrait after portrait of his family members. “This my little sister, Nellie. This my aunt Jewel. She the midwife ’round where I live. This my mama. My other sister Dodie. This my cousin Chee.” And on and on. Then there were cows and pigs and chickens.

“You have to go to art school, Jesse.” The way Anna said it, it sounded like a foregone conclusion. That’s how she felt at that moment. There was no other path for this young man. He must go to art school. “You have to hone your talent.”

“What that mean? Hone?”

“You’re extremely talented,” she said. “You’re a natural. To ‘hone’ it would be to learn all the technical aspects of art to bring your talent to full fruition … your full potential.”

He shook his head. Leaned away from the table. “I’m done with school, ma’am,” he said. “I jest want to sit on a stack of hay and draw.”

“Please don’t be done with school!” she practically begged him, and he drew back slightly. She thought she’d momentarily scared him with her intensity. “Please don’t hide this talent in your … your family barn or wherever.”

He laughed. “You sound jest like Miss Furman.” He looked toward the wall where the cartoon paper was still draped with twine. “What that for?” he asked.