Back Atlanta Burns
Chapters (50)
  1. Title Page
  2. Copyright Page
  3. Dedication Page
  4. CONTENTS
  5. PART ONE: SHOTGUN GRAVY
  6. Sometimes she wakes…
  7. CHAPTER ONE
  8. CHAPTER TWO
  9. CHAPTER THREE
  10. CHAPTER FOUR
  11. CHAPTER FIVE
  12. CHAPTER SIX
  13. CHAPTER SEVEN
  14. CHAPTER EIGHT
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. PART TWO: BAIT DOG
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. CHAPTER FOURTEEN
  22. CHAPTER FIFTEEN
  23. CHAPTER SIXTEEN
  24. CHAPTER SEVENTEEN
  25. CHAPTER EIGHTEEN
  26. CHAPTER NINETEEN
  27. CHAPTER TWENTY
  28. PART THREE: THE FARM
  29. CHAPTER TWENTY-ONE
  30. CHAPTER TWENTY-TWO
  31. CHAPTER TWENTY-THREE
  32. CHAPTER TWENTY-FOUR
  33. CHAPTER TWENTY-FIVE
  34. CHAPTER TWENTY-SIX
  35. CHAPTER TWENTY-SEVEN
  36. CHAPTER TWENTY-EIGHT
  37. PART FOUR: KISSING FIRE
  38. CHAPTER TWENTY-NINE
  39. CHAPTER THIRTY
  40. CHAPTER THIRTY-ONE
  41. CHAPTER THIRTY-TWO
  42. CHAPTER THIRTY-THREE
  43. PART FIVE: BAIT GIRL
  44. CHAPTER THIRTY-FOUR
  45. CHAPTER THIRTY-FIVE
  46. CHAPTER THIRTY-SIX
  47. CHAPTER THIRTY-SEVEN
  48. EPILOGUE: THE MESSAGE
  49. ACKNOWLEDGMENTS
  50. ABOUT THE AUTHOR

“It’s chocolate,” Jonesy says, stifling a laugh. “It’s, ahhh, you know. Wetback chocolate. Made special. Just for him. Unless you want some?”

The third miscreant in the trio, the one she thinks of as Chomp-Chomp, is watching everything with a deliberate stare. Arms folded, hands tucked tight into his armpits. He’s mule-kicked, she thinks. Or a sociopath. Or just scared of what he’s gotten himself into.

She slides her hand into her tie-dyed bag. Leaves it there.

Virgil blurts in what he thinks is a whisper but what is instead just a really loud hiss: “Dude. Don’t you know who that is?”

“What?” Jonesy asks. Then he takes a long look at her.

She knows what they see. On the surface, at least. Tangled red hair, a little too long, too frizzy, hasn’t been cut. A patch of freckles across the bridge of her nose in the shape of a small Band-Aid. Old, ratty bomber jacket.

They don’t all recognize her. Not yet. But Virgil does. He’s got a wary look like he’s watching a rattlesnake at a distance. And the kid in the dumpster looks like someone’s been beating him up and trying to force-feed him a pile of dog shit. No telling if he’s figured her out yet.

But then she sees the light come on behind Jonesy’s eyes.

Now he gets it.

“Right,” Jonesy finally says. “Riiiiight. Burns, yeah. Atlanta Burns. That’s a name.”

“Sure is,” she says. “So, listen. Why don’t you boys go home?”

“Is that like a Southern accent?” Jonesy asks Virgil. Virgil nods, but it’s not like it’s a secret. Up here, middle of Pennsylvania, her accent sticks out like a bent and broken toe. “Cool. My dad’s got a rebel flag on his pickup.”

“Then your daddy’s a jackass.” She says it before she means to say it, but that’s how she is: it’s like the bouncers who are supposed to be guarding the door to her mouth are on an eternal smoke break. Even still, she continues: “That flag’s not just the emblem of being a racist asshole, a club to which your daddy probably belongs happily. But it’s also the Confederate flag. The one carried by Southerners to say to the Yankees—that’s your daddy, a Yankee—‘Don’t tread on me or I’ll pop a musket ball up your ass.’ Northerners driving around with the Dixie flag is like a Jew wearing a ‘Go Hitler!’ baseball cap.”

Jonesy’s smile has fallen off his face. He squirts a jet of spit from between his two front teeth, then hands the shovel to Chomp-Chomp, who takes it, shell-shocked. The ringleader then gives a look to Virgil and nods at Atlanta. It isn’t subtle.

They both take a step toward her.

“You sure you wanna do this?” she asks.