Back As If on Cue Save as PDF
Chapters (45)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. Happy Birthday in Jazz Clarinet
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. Natalie vs. Reid
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. The First Chair Wars
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. Outplayed
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. CHAPTER FOURTEEN
  22. The Prank War
  23. CHAPTER FIFTEEN
  24. CHAPTER SIXTEEN
  25. CHAPTER SEVENTEEN
  26. The Setup
  27. CHAPTER EIGHTEEN
  28. CHAPTER NINETEEN
  29. CHAPTER TWENTY
  30. Aaron Jacobson’s Protégé
  31. CHAPTER TWENTY-ONE
  32. CHAPTER TWENTY-TWO
  33. CHAPTER TWENTY-THREE
  34. Anything But Music
  35. CHAPTER TWENTY-FOUR
  36. CHAPTER TWENTY-FIVE
  37. CHAPTER TWENTY-SIX
  38. CHAPTER TWENTY-SEVEN
  39. CHAPTER TWENTY-EIGHT
  40. CHAPTER TWENTY-NINE
  41. CHAPTER THIRTY
  42. Acknowledgments
  43. More from the Author
  44. About the Author
  45. Also by Marisa Kanter

But Reid took on the role of Moritz, knowing we don’t have an understudy. He said he’d do it. He made a commitment to the show, a commitment to act and deliver a performance, to be more than my codirector. He has been delivering. Rehearsals have been on the upswing. Reid nails every scene. Reid listens to my notes. But why, if he was totally prepared to screw this show, our show, over?

It makes sense now. His hesitation before agreeing to play Moritz. The evasiveness every time I tried to talk about the Albany Institute. I asked him, explicitly, when the in-person auditions would be. He said, I don’t know. Why would he say that unless he knew that if he had an audition, it would conflict with Melted? He knew! He knew and he didn’t care. He didn’t—

My phone buzzes.

Reid Callahan

and break! any mail today? praying hands emoji

3:22 PM

I ignore it because my thoughts are spiraling.

And they land on this: Reid never cared if Melted happened. He used my play as a muse to create great music, amazing music for his Albany audition. I helped him get here. He acted like he cared about something other than clarinet, but he was just… using me and Melted. But… I’m stuck on the band piece, the music stakes, my dad. Does all of that mean nothing to Reid? So long as he sets himself up for musical success?

I think of Reid and Madeline, not caring that he ruined our friendship in the process. Dad telling Reid there’s always next year, even though that would mean unseating me. All these buried memories resurface and—

I am so stupid.

And now—what about Melted? The show is in three weeks! Tickets are on sale! It’s too late to do anything except let Reid ruin us.

Tears spring to my eyes and shit, I hate how much this hurts.

I hate that I’ve given him the ability to hurt me.

I rip the letter in half.

Rip the halves in half.

Stuff the quarters of Reid’s future back into its envelope. Then rip the envelope in half for good measure. I run upstairs to my room, taking the pieces of Reid’s future and burying them at the bottom of my desk drawer, where Reid will never find them.

Only then do I text him back.

nope

2:27 PM

I have worked too hard on this musical.

The entire future of the arts at LHS depends on this musical.

Reid would bail on Melted for this audition. I know he would. It’s a spot at one of the most prestigious summer programs. His conservatory application with Albany on his resume would be a lock. It’d be a no-brainer.