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Chapters (45)
  1. Cover
  2. Title Page
  3. Dedication
  4. CHAPTER ONE
  5. CHAPTER TWO
  6. CHAPTER THREE
  7. Happy Birthday in Jazz Clarinet
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. Natalie vs. Reid
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. The First Chair Wars
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. Outplayed
  19. CHAPTER TWELVE
  20. CHAPTER THIRTEEN
  21. CHAPTER FOURTEEN
  22. The Prank War
  23. CHAPTER FIFTEEN
  24. CHAPTER SIXTEEN
  25. CHAPTER SEVENTEEN
  26. The Setup
  27. CHAPTER EIGHTEEN
  28. CHAPTER NINETEEN
  29. CHAPTER TWENTY
  30. Aaron Jacobson’s Protégé
  31. CHAPTER TWENTY-ONE
  32. CHAPTER TWENTY-TWO
  33. CHAPTER TWENTY-THREE
  34. Anything But Music
  35. CHAPTER TWENTY-FOUR
  36. CHAPTER TWENTY-FIVE
  37. CHAPTER TWENTY-SIX
  38. CHAPTER TWENTY-SEVEN
  39. CHAPTER TWENTY-EIGHT
  40. CHAPTER TWENTY-NINE
  41. CHAPTER THIRTY
  42. Acknowledgments
  43. More from the Author
  44. About the Author
  45. Also by Marisa Kanter

So in reality, my parents have built up a whole lot of nothing in their heads. Yes, Reid and I have super hot make-out sessions in my basement, in his car, and pretty much anywhere we can be alone. No, it has not progressed beyond second base. It’s not for lack of wanting to, at least on my end. Sometimes I get so lost in kissing Reid, I’m the one pushing the boundaries. Last night, Reid unhooked my bra for the first time in the back of his car, but not before asking, Is this okay? I nodded and kissed him, because consent is sexy. Reid’s always checking in like that and it’s kind of adorable.

But he’s also always the first to pull apart.

Before I get lost in that memory again, I palm the envelope in my hand. It’s big, like acceptance letter big, and I am dying to know.

I should not open Reid’s mail.

Absolutely not.

I open Reid’s mail.

Carefully peeling back the gold sticker, I split the envelope slowly, meticulously, so I can re-glue the seal. Reid is at a rehearsal for Districts—a regional audition-only festival—and he’s coming over tonight, but I can’t wait until tonight. I’m too excited and I need to know.

I pull the letter out of the envelope. It begins with Congratulations, and I pump my fist in the air because Reid did it, we did it. The invitation to audition is personalized, noting the unique strength of the composition portion of Reid’s application. The Melted portion. And I am just so happy for Reid I want to call him and scream, but I can’t because he’s in a closed rehearsal. He also probably wouldn’t love that I opened his mail before him. But he’ll forgive me, for sure. Because Reid got in. Well, okay, he got an audition. But he’s going to get in. He’s—

My eyes pause on the last line of the letter.

Your audition slot is Saturday, February 6th

at 3:30 p.m.

Please RSVP no later than Wednesday,

January 20th.

I’m confused. So confused.

Because February sixth is Melted. Reid wouldn’t choose an audition slot that weekend.

This must be a mistake.

Unless it’s the only weekend.

I pull my phone out of my back pocket and Google the Albany Institute’s audition calendar.

It’s bold on the home page:

ALBANY, NY, AUDITIONS: FEB 6–7

I click into the FAQ.

Time slots will be mailed to accepted students. Based on the volume of auditions, we cannot accommodate individual requests.

No.