Anna had been right. She’d prophesied that the men he was making enemies of were vengeful and absolutely did not forget. Jesse had joked that the authorities could take anything but they could never take away his voice and as long as he had his voice he had a career. He’d been wrong. In the 1930s he performed to audiences of up to twenty thousand. On tour in 1937 the combined audiences around the world totalled over a million. Today no venue would book him, not the grand concert halls, not even the smallest, smokiest bars, places where the sound of bottles clanking was louder than the singing. It wasn’t enough that Jesse signed a contract promising not to launch into one of his polemics, vowing merely to sing songs that had been vetted and cleared as inoffensive. The day after his performance the venue would inevitably receive an inspection from health and safety officials, or from the police regarding an alleged disorder, a fight on the street. In every case the venue would be shut down for several weeks. No matter how outraged they were by the principle, no one could afford to make the same mistake twice. If they did, their licence was revoked. The managers of venues, men who’d once shook Jesse’s hand after one of his concerts with eyes filled with tears and a cash register brimming with dollars, didn’t even have the decency to admit the truth. He couldn’t blame them for looking after their interests but did they have to lie? They’d tell him he was too old, or that his kind of music was no longer fashionable. They’d rather insult him than admit that they were scared.

It was a cruel joke that Jesse’s appearance at the House Committee on Un-American Activities in July 1956 would prove to be his last performance on a major stage. Questioning Jesse, the congressmen quoted words he’d spoken in favour of Communism and run them up against the words he’d spoken in criticism of America. Had he claimed that he felt more at home in the Soviet Union than in the United States? Jesse tried to explain the meaning of his statements: that the notion of home referred to the way in which he was respected abroad and abused domestically, his people Jim-Crowed and kept down. Footage was shown of him speaking in Moscow in 1950, in the Serp i Molot factory, while in subtitles, incorrect translation ran along the bottom of the screen:

JESSE AUSTIN: The Statue of Liberty belongs here, in Moscow, not in New York.