Chapters (35)
- Cover
- Dedication
- Act One: New York
- One
- Two
- Three
- Four
- Five
- Six
- Seven
- Eight
- Nine
- Ten
- Eleven
- Act Two: Grease
- Twelve
- Thirteen
- Fourteen
- Fifteen
- Sixteen
- Seventeen
- Eighteen
- Act Three: Conversion
- Nineteen
- Twenty
- Twenty-One
- Twenty-Two
- Twenty-Three
- Twenty-Four
- Twenty-Five
- Acknowledgments
- About the Author
- Books by Tobly McSmith
- Back Ad
- About the Publisher
I really sing out “But none of them will ever love you the way I do” and hope my friends will accept my apology. The crowd is clapping and I’m dancing, letting myself get carried away in the song.
And just as the last chorus begins, Elijah and Anna jump up onstage. They circle around me and lean into the mic, and we sing together. I’m so happy to have them onstage with me and back in my life. We make eye contact on the final “You’ve got a friend in me.” We finish the last note—a nice mix of harmonies—and immediately group hug.
“I love a grand gesture!” Anna yells over the applause.
We clear the stage for the next performance, and they lead me back to their table.
“I’m sorry, guys,” I say. “I was acting so full of myself at the Rocky Horror party to hide the fact that I was insecure about Conversion. And I handled the Duncan thing poorly.”
“August,” Elijah says, “I was out of bounds that night. You did the right thing.”
“And,” Anna jumps in, “we both realized Duncan is slimy. Ugh, I should have known a cello player would be no good.”
“He wasn’t even that good at kissing,” Elijah says.
Anna rolls her eyes. “Agreed.”
“So we’re okay?” I ask.
“We’re solid gold,” he says, then puts his arm around me.
“Listen up,” Mitch yells into the microphone, effectively getting our attention. “It’s everyone’s favorite part of the night. Our resident songstress, Maggie Ridge.”
I watch Maggie take the stage. She’s wearing her yellow-tinted aviator glasses, a flowy red dress, and she has her acoustic guitar. “Hello, Haswell Green’s,” she says. “I’ll be playing a new song tonight. It’s about a boy.” The audience oohs and aahs as she strums her guitar and tunes a string. “It’s called ‘Limelight.’”
The back of my neck goes hot. I told her all about the limelight on our walk home from the Grease after-party. This song is about me.
You’re always trying to be
What you need for the scene
But I know it’s an act
Yeah I know it’s an act
When the lights go down
And no one is around
Do you know who you are
’Cause I know who you are
The world is a stage
And you’re just playing
But what’s the truth
You aren’t sayin’
Step into your limelight
There’s only a few
Who can do what you do
You have what it takes
But what is at stake
Step into your limelight
Find that perfect spot
Hit your mark and stop
Tell me what you see
Do you ever see me?
The crowd claps and cheers, and goose bumps run over my body. I excuse myself and head down to the basement—the place of our meet-cute.