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Chapters (58)
  1. Cover
  2. Also by Oliver Harris
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. EIGHT
  11. NINE
  12. TEN
  13. ELEVEN
  14. TWELVE
  15. THIRTEEN
  16. FOURTEEN
  17. FIFTEEN
  18. SIXTEEN
  19. SEVENTEEN
  20. EIGHTEEN
  21. NINETEEN
  22. TWENTY
  23. TWENTY-ONE
  24. TWENTY-TWO
  25. TWENTY-THREE
  26. TWENTY-FOUR
  27. TWENTY-FIVE
  28. TWENTY-SIX
  29. TWENTY-SEVEN
  30. TWENTY-EIGHT
  31. TWENTY-NINE
  32. THIRTY
  33. THIRTY-ONE
  34. THIRTY-TWO
  35. THIRTY-THREE
  36. THIRTY-FOUR
  37. THIRTY-FIVE
  38. THIRTY-SIX
  39. THIRTY-SEVEN
  40. THIRTY-EIGHT
  41. THIRTY-NINE
  42. FORTY
  43. FORTY-ONE
  44. FORTY-TWO
  45. FORTY-THREE
  46. FORTY-FOUR
  47. FORTY-FIVE
  48. FORTY-SIX
  49. FORTY-SEVEN
  50. FORTY-EIGHT
  51. FORTY-NINE
  52. FIFTY
  53. FIFTY-ONE
  54. FIFTY-TWO
  55. FIFTY-THREE
  56. FIFTY-FOUR
  57. FIFTY-FIVE
  58. ACKNOWLEDGMENTS

‘Maybe.’ I had no idea, but if Russian intelligence thought I had an armed guard I wasn’t going to disabuse them of that notion.

‘We’re not the threat, Elliot. For fuck’s sake.’

‘What are you looking for in my room?’

‘The question is what the CIA is looking for in your room, and why they have contingency plans to assassinate you.’

This struck me as over-dramatic but not implausible.

‘Have you found Joanna?’ I asked. ‘Really, Elliot. I’m serious. One of my best men just got attacked, when we’re trying to help you. I suggested that you keep in touch with me or get out of Kazakhstan. Can you see the problems you’re causing?’

‘I’m not sure I introduced the problems here.’

‘Can we sit down?’

We took a booth. It was dark, and Cherenkov sprawled on the leather seat opposite me. ‘I haven’t found her,’ he said. ‘No one’s found her. People found the body of Ruslan Batur, of course. Tomorrow the story’s going to come out. He was working for a gang: organised crime. That’s what they’ll say. Shot by a Makarov pistol, like the one you’re carrying.’

It was possible, and would raise some interesting questions regarding GL5. More possible was the idea that Cherenkov was trying to disorientate me, force me into a position of desperation.

‘Your prints are there, Elliot. Either you killed him or Joanna Lake killed him.’

‘Or someone else with a Makarov.’

‘I haven’t found Joanna, but I found this.’ Cherenkov took his phone out, swiped down videos and played one. It was a couple having sex. They were in what looked like a hotel room, bed sheets tangled. None of the flamboyance of porn, just two bodies, naked and entwined. The shot was static, low-quality, from a camera that must have been high on the wall. It looked like surveillance. Cherenkov gave me the phone. It could have been my back. The hair was right. I had to wait another minute before my face was visible. Joanna’s was clear enough.

‘Is it real?’ he said. ‘No.’

‘I don’t want to see this,’ Cherenkov said. ‘Why do I have this?’

‘You tell me.’ I gave the phone back, disguising my mounting desire for violence.

‘I have it because some guy in the GRU got it from a friend in the CIA who got it from Six. One way or another they wanted it to land in Moscow. Why is that? You and Joanna Lake, apparently at a hotel in Pakistan last month. But I know where you were last month, and it wasn’t there.’ He sipped his beer, put his phone away. ‘Can I ask: how does it feel, seeing that?’

‘It looks like a rushed job. Are you working with Vladislav Vishinsky?’