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Chapters (58)
  1. Cover
  2. Also by Oliver Harris
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. EIGHT
  11. NINE
  12. TEN
  13. ELEVEN
  14. TWELVE
  15. THIRTEEN
  16. FOURTEEN
  17. FIFTEEN
  18. SIXTEEN
  19. SEVENTEEN
  20. EIGHTEEN
  21. NINETEEN
  22. TWENTY
  23. TWENTY-ONE
  24. TWENTY-TWO
  25. TWENTY-THREE
  26. TWENTY-FOUR
  27. TWENTY-FIVE
  28. TWENTY-SIX
  29. TWENTY-SEVEN
  30. TWENTY-EIGHT
  31. TWENTY-NINE
  32. THIRTY
  33. THIRTY-ONE
  34. THIRTY-TWO
  35. THIRTY-THREE
  36. THIRTY-FOUR
  37. THIRTY-FIVE
  38. THIRTY-SIX
  39. THIRTY-SEVEN
  40. THIRTY-EIGHT
  41. THIRTY-NINE
  42. FORTY
  43. FORTY-ONE
  44. FORTY-TWO
  45. FORTY-THREE
  46. FORTY-FOUR
  47. FORTY-FIVE
  48. FORTY-SIX
  49. FORTY-SEVEN
  50. FORTY-EIGHT
  51. FORTY-NINE
  52. FIFTY
  53. FIFTY-ONE
  54. FIFTY-TWO
  55. FIFTY-THREE
  56. FIFTY-FOUR
  57. FIFTY-FIVE
  58. ACKNOWLEDGMENTS

‘Maybe an algorithm.’ Stefan was still staring at the screen.

‘What do you mean?’

‘These days they can create their own imagery. Places, faces, whatever.’

‘Whole scenarios?’

‘Sure. If an algorithm can predict a scenario it can create an image of it easily enough. Deep learning’s a step away from deep dreaming, where computers become imaginative, start generating their own content.’

‘They could produce scenarios then produce imagery to fit them?’

‘Why not? There could be a thousand videos of you being produced every hour, a thousand parallel universes.’ After another moment, he said: ‘The fire’s good.’ He tapped a knuckle against the image of self-immolation.

‘You don’t think it’s real?’

‘No. But I think someone’s got their effects working nicely.’

We watched the burning woman again, then the grieving brother.

‘Has Aliya posted fake videos before?’ I asked.

‘I haven’t checked. And it’s not as if it’s easy to tell. The US defence department has tried to develop tools for detecting computer-generated material, but no silver bullet yet.’

‘Any more information about her?’

‘We located her personal social media,’ Stefan said. ‘The name behind the more glamorous persona is Aliya Savinova, a postgrad student at Nazarbayev University. Syntax gets a ninety-seven per cent match; so does vocabulary, even typos.’

‘Address?’

‘There’s no address online but we got her IP and wi-fi connection history. Every morning her laptop connects to home broadband. Records suggest there are four people living at that address: one is Ms Savinova.’

I took a look at Savinova’s personal social media. Pre-2017 she’d been a lifestyle blogger: recipes, fashion, music, also cultural happenings. She posted poetry, talked about her short stories as well. The poetry was good, covering urban ennui, romantic longing, thinly disguised erotic musings.

She liked modernism, eye shadow, drinking alone. I wondered if she liked starting wars.

‘Think her account’s been hijacked?’ Stefan asked.

‘I don’t know. Think she’s definitely real?’

‘According to her Facebook page, she just checked in to a gallery opening two miles away. So I guess you’ve got one way of finding out.’

THIRTY-TWO

I drove to the gallery, a new glass box beside the river, sponsored by Credit Bank of Moscow and Emporio Armani. It was already crowded when I got there, with high security for a wealthy turnout. I tried to see the guest list, began to blag my way in, then the voice of Craig Bryant reached me from the throng.

‘He’s with me.’

Bryant drifted into view with a woman in heavy make-up and heels that raised her a couple of inches above him. He ushered me in.

‘I told you it was a small town at heart.’

‘Small town with big money.’