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Chapters (58)
  1. Cover
  2. Also by Oliver Harris
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. EIGHT
  11. NINE
  12. TEN
  13. ELEVEN
  14. TWELVE
  15. THIRTEEN
  16. FOURTEEN
  17. FIFTEEN
  18. SIXTEEN
  19. SEVENTEEN
  20. EIGHTEEN
  21. NINETEEN
  22. TWENTY
  23. TWENTY-ONE
  24. TWENTY-TWO
  25. TWENTY-THREE
  26. TWENTY-FOUR
  27. TWENTY-FIVE
  28. TWENTY-SIX
  29. TWENTY-SEVEN
  30. TWENTY-EIGHT
  31. TWENTY-NINE
  32. THIRTY
  33. THIRTY-ONE
  34. THIRTY-TWO
  35. THIRTY-THREE
  36. THIRTY-FOUR
  37. THIRTY-FIVE
  38. THIRTY-SIX
  39. THIRTY-SEVEN
  40. THIRTY-EIGHT
  41. THIRTY-NINE
  42. FORTY
  43. FORTY-ONE
  44. FORTY-TWO
  45. FORTY-THREE
  46. FORTY-FOUR
  47. FORTY-FIVE
  48. FORTY-SIX
  49. FORTY-SEVEN
  50. FORTY-EIGHT
  51. FORTY-NINE
  52. FIFTY
  53. FIFTY-ONE
  54. FIFTY-TWO
  55. FIFTY-THREE
  56. FIFTY-FOUR
  57. FIFTY-FIVE
  58. ACKNOWLEDGMENTS

The new centre displayed fragments of pottery they’d dug up, alongside bad watercolours of a traditional nomad community. At the end was a display regarding wildlife protection, signed off by an organisation I’d never heard of called Clean Caspian. The ribbon had already been cut and hung limply on either side of the entrance. Four silver minibuses waited to transport the delegation back to the Marriott once a group of schoolchildren had finished burying a time capsule for an unspecified future generation to pore over. The capsule was a Tupperware box, and the hole into which it was being deposited had been created in the icy courtyard with the help of a blowtorch and pickaxe. The ceremony was being filmed.

I introduced myself to a man directing proceedings, with cropped ginger hair and a waistcoat, his name badge identifying him as Neil Graff from Piper Anderson Communications. He said Lucy was at the Marriott dealing with a last-minute emergency but I could hitch a ride back to the hotel with them.

At the Marriott I was directed to a restaurant, dim and low-lit and almost empty, with tables set for the next day. Empty apart from one person.

Lucy Piper stood alone at the windows, phone to her ear. She wore a white suit, hair up, eyes cool. The screen of a MacBook glowed on the table behind her. She was having a bad day.

‘No … I don’t know … It’s worse than we thought.’

In the low-lit comfort it took me a second to connect her to the figure I’d seen stepping among the former Taliban like some mascara-laden angel of history. There was a lot of paperwork on the table, pinned down with a vape the size of a Colt .44.

She hung up, put on a professional smile.

‘Hey there.’

‘Lucy Piper? I work for Vectis. Toby Bell.’

Her smile turned cooler. She extended a hand. ‘Callum mentioned your name. Another former Commando?’

‘Something like that.’

No suggestion she recognised me. I scanned the visible documents. They had the day’s analytics: Google results for ‘Saracen’, ‘Saracen in Kazakhstan’, ‘Kazakhstan oil’, ‘Kazakhstan corruption’. Critical social media accounts had been mapped geographically. She had a photocopy of a petition launched by Testimony – The lavish trade mission is a green light to political oppression – along with a strategy to quieten it, which looked like it might involve an organisation called the Kazakhstan Business Alliance whose contact number was a London landline.

Her company was well connected in Westminster, of course, with a muscular lobbying operation involving former politicians and diplomats, and direct lines to the EU and the UN. But it was their dark arts that kept the clients coming: managing Wikipedia entries, controlling their own astroturfed NGOs, manipulating Google results so that the first thing you saw when you searched ‘Saracen Kazakhstan’ wasn’t a woman being dragged from a court room.