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Chapters (43)
  1. Cover
  2. About the Author
  3. Also by Dermot Healy
  4. Praise
  5. A GOAT’S SONG
  6. I. Christmas Day in the Workhouse
  7. 1. Waiting for Catherine
  8. 2. Walking the Triangle
  9. 3. A Taxi Through New York at Midnight
  10. 4. Shangrila
  11. 5. The Nomads
  12. 6. Christmas Morning
  13. 7. The Love Object
  14. 8. The Cockatiel
  15. II. The Salmon of Knowledge
  16. 9. The Death of Matti Bonner
  17. 10. The Fenian Ledger
  18. 11. The News at Six
  19. 12. The Summer Home
  20. 13. The Outsiders
  21. 14. As Gaelige
  22. 15. O’Muichin and the Cléirseach
  23. 16. The Salmon of Knowledge
  24. III. The Hares
  25. 17. The Mourners
  26. 18. The Greatest Man in Ballyconeely
  27. 19. Oh No, Don’t Stop the Carnival
  28. 20. The Illustrated Sons of Ireland
  29. 21. The Sea
  30. 22. Through the Downhill Tunnel
  31. 23. The Irishman
  32. 24. Madame George
  33. 25. What Did Shamey Coyle Do When He Left Prison?
  34. IV. The Musical Bridge
  35. 26. Flying in Belfast
  36. 27. Crossing the Musical Bridge
  37. 28. Searching for Jack in Yeats’ County
  38. 29. Guilt–tripping
  39. 30. Corrloch
  40. 31. The Cuckoo Mocks the Corncrake
  41. 32. A Time of Big Seas
  42. 33. Popular Songs
  43. 34. Happiness

These mythological tales, though they were known to the Sergeant in English, gained a vexing physical presence in the vernacular, so that in his dreams some strange man – perhaps O’Muichin – drove a herd of sheep, with the heads of men, before him; humans with whom he was somewhat familiar adopted the forms of animals he could not recognize; MacDonagh returned as a goose; and in one striking dream he saw his daughter Catherine ride a goat along the edge of a cliff while he called and called after her in vain. O’Muichin, besides reading hands, was also an interpreter of dreams, and on hearing the father’s dream of the goat he said that the dream went back to Jonathan Adams’ reading of Greek mythology. He said that the dream was one of two things, as all dreams are.

“And what are they, may I ask?” enquired the Master.

“I would have to know first,” smiled O’Muichin, “whether the goat was a nanny or a buck.”

Jonathan Adams for a long while considered the unruffled mien of the man who was telling him his dreams were prompted not by classical tales but by the gender of animals.

“Would you not consider that interpretation a bit farfetched?” he asked.

“Next time you see the goat,” whispered O’Muichin, and he came closer to the Sergeant, “next time, now, that you see the goat – excuse me – check to see if it has its equipment.”

“I see,” said the Sergeant.

O’Muichin winked, and turned the talk to Oisin.

“It’s hard to credit him, sometimes,” said Sara, elsewhere.

“He’s not afraid, anyway,” said Catherine in a tone of voice that intimated she was standing up for him.

It was a Sunday, and later on that afternoon the Irish speaker turned despondent. It was the same boredom as before. There were no lessons that day. Not a word after dinner could be got out of him, and even leaning on the pier of the gate considering the village going about its business could not raise his spirits.

“Are you not speaking to the poor?” Sara asked him.

“I feel like I am expecting someone,” he explained.

“There’s a dance next Friday night in Bangor-Erris, if you’d care to venture there.”

“B’fheidir,” he muttered. “I like the western ladies. I never heard the word lady used except in a derisory fashion till I came here. I like the western ladies, I must admit. They are very open.”

“Do you think so?”

“I do indeed.”

He remained preoccupied, and just nodded at everything she said. Sara sat up on the gate and kicked against the pier. Catherine passed between them and went up to the village thinking: “Where is the rotten fucker who will love me?” The other pair stayed on silent by the gate.

“When someone gets like you I always feel to blame,” Sara said.