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Chapters (43)
  1. Cover
  2. About the Author
  3. Also by Dermot Healy
  4. Praise
  5. A GOAT’S SONG
  6. I. Christmas Day in the Workhouse
  7. 1. Waiting for Catherine
  8. 2. Walking the Triangle
  9. 3. A Taxi Through New York at Midnight
  10. 4. Shangrila
  11. 5. The Nomads
  12. 6. Christmas Morning
  13. 7. The Love Object
  14. 8. The Cockatiel
  15. II. The Salmon of Knowledge
  16. 9. The Death of Matti Bonner
  17. 10. The Fenian Ledger
  18. 11. The News at Six
  19. 12. The Summer Home
  20. 13. The Outsiders
  21. 14. As Gaelige
  22. 15. O’Muichin and the Cléirseach
  23. 16. The Salmon of Knowledge
  24. III. The Hares
  25. 17. The Mourners
  26. 18. The Greatest Man in Ballyconeely
  27. 19. Oh No, Don’t Stop the Carnival
  28. 20. The Illustrated Sons of Ireland
  29. 21. The Sea
  30. 22. Through the Downhill Tunnel
  31. 23. The Irishman
  32. 24. Madame George
  33. 25. What Did Shamey Coyle Do When He Left Prison?
  34. IV. The Musical Bridge
  35. 26. Flying in Belfast
  36. 27. Crossing the Musical Bridge
  37. 28. Searching for Jack in Yeats’ County
  38. 29. Guilt–tripping
  39. 30. Corrloch
  40. 31. The Cuckoo Mocks the Corncrake
  41. 32. A Time of Big Seas
  42. 33. Popular Songs
  43. 34. Happiness

A few times he strolled as far as the road, then turned back and paced the corridor. He stood and studied the hospital clock. Sat in the empty dining room and watched the cooks make the dinner. He listened to the clash of cutlery, and smoked. Other patients came and sat at the empty tables and watched those working in the kitchen with a quiet, transfixed curiosity. He returned to watch them make the evening meal. It did not seem possible that he could last out the day. That it would pass like others did. But it did. And he was still there in that place when it was too late to have gone. As the hour came for the curtain to go up he fought the desire to lift the phone and ring the theatre. As the minutes dwindled he grew euphoric. He imagined the crowd sitting in the dark and he not among them, and was filled with wonder. The minute passed. Relief flooded through him. I’ve stayed away.

I didn’t go.

It has started.

He stood in the corridor outside the room of the man who had buried his bottles of gin in a Greek garden. Out came the Cole Porter song “Every Time We Say Goodbye”. Jack grew to love those words. Especially the refrain – the change from major to minor.

He wished Catherine well.

Then he began pacing the corridors like a popular song.

Corrloch. Belmullet. Aghadoon.

7. The Love Object

7

The Love Object

“So, you’ve lost your love object,” said the psychiatrist.

To hear Catherine reduced to such a crude nonentity was a comic blow to Jack’s pride. He stared at the man defensively.

“I’m thinking of letting you go,” the psychiatrist continued. “Stay off the drink for a while, and then, if you want, begin again. Start with a couple of pints. You are the only one will know if you are an alcoholic.”

Jack, in a panic, asked: “When do I have to go?”

“In a few days. It’s up to you. The main thing is there’s nothing chemically wrong with you.”

Jack walked the hospital pondering the words love object. Then he pondered the words letting you go. And after that chemically wrong. But, as yet, he did not begin to ponder the word alcoholic. From it grew all the strands of unreason and fanaticism and hopelessness that terrified him.

He sat among the friendly alcoholics on a Sunday morning in a small wooden room in the basement of the asylum. They shook his hand and he sat down and waited. A ray of cold sunlight came though the single window onto clouds of cigarette smoke.

“I can see you’ve suffered,” said the man beside him.