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Chapters (76)
  1. A DARK MATTER
  2. DEDICATION
  3. CONTENTS
  4. JENNY
  5. JENNY
  6. HANNAH
  7. DOROTHY
  8. HANNAH
  9. JENNY
  10. DOROTHY
  11. HANNAH
  12. DOROTHY
  13. HANNAH
  14. DOROTHY
  15. JENNY
  16. HANNAH
  17. DOROTHY
  18. JENNY
  19. DOROTHY
  20. HANNAH
  21. JENNY
  22. HANNAH
  23. DOROTHY
  24. JENNY
  25. HANNAH
  26. DOROTHY
  27. JENNY
  28. HANNAH
  29. JENNY
  30. DOROTHY
  31. JENNY
  32. HANNAH
  33. JENNY
  34. DOROTHY
  35. JENNY
  36. HANNAH
  37. HANNAH
  38. DOROTHY
  39. JENNY
  40. HANNAH
  41. DOROTHY
  42. JENNY
  43. HANNAH
  44. DOROTHY
  45. HANNAH
  46. JENNY
  47. DOROTHY
  48. JENNY
  49. HANNAH
  50. JENNY
  51. DOROTHY
  52. JENNY
  53. HANNAH
  54. DOROTHY
  55. JENNY
  56. DOROTHY
  57. HANNAH
  58. JENNY
  59. DOROTHY
  60. HANNAH
  61. JENNY
  62. DOROTHY
  63. HANNAH
  64. JENNY
  65. HANNAH
  66. DOROTHY
  67. JENNY
  68. ACKNOWLEDGEMENTS
  69. ABOUT THE AUTHOR
  70. COPYRIGHT
  71. AN EXTRACT FROM THE BIG CHILL
  72. DOROTHY
  73. JENNY
  74. HANNAH
  75. JENNY
  76. Other titles by Doug Johnstone, available from Orenda Books

Hannah stood up too, her face pounding with pain, her body aching.

Emilia pointed at Hannah. ‘You killed my husband.’

‘He killed himself.’

‘Because of you.’

Hannah wiped blood from her cheek. ‘Because of what he did. 224You threw him out of the house because of what he did. This is not on me.’

The baby was gurning now, her cry piercing. Emilia ignored her for a long moment, tears in her eyes. Eventually she turned.

‘It’s OK, honey, Mummy’s here.’

She turned back to Hannah, her fists at her sides as she began to walk towards the door.

‘You haven’t heard the last of this.’

She picked up the baby’s bottle and handed it to her, then pushed the kid down the driveway and into the street.

225

43

JENNY

She finished her coffee and decided. Got up and left the café, walked across the cobbles to the vennel and into the courtyard in the evening light. She pushed open the front door, headed to Liam’s studio and knocked. She wasn’t sure what she was going to say to him, but it was time to talk.

She heard a clatter, brushes on a table, and the door opened. Liam was handsome close up, green eyes and a strong jaw. He’d changed out of his work suit, which was hanging up on the curtain rail at the window, and he wore saggy jeans and a blue shirt. She could tell from the way it clung to his chest that he was toned underneath.

‘Can I help you?’ he said. He had a softer accent than Orla, a more open manner. There were flecks of grey through his black hair, and dark splotches of paint across his shirt. His hands were thin, long fingers, mottled with paint too.

‘Hi,’ Jenny said, throwing on a smile. ‘I’m planning to rent one of these studios and I wondered if I could take a quick look around.’

He frowned, unsure.

‘Mohammed said it was OK,’ she said. ‘He couldn’t find the key for my one yet, but said just to pop down and someone would let me take a peek.’

She waved her hand along the corridor.

‘I tried a few others, but no one else is in.’

He looked behind him at the canvas he was working on, propped on the easel.

‘Sure,’ he said, opening the door.226

‘Thanks.’

She walked past him into the middle of the room, the smell of paint and sweat coming to her.

‘Good light,’ she said, pointing at the window.

He narrowed his eyes and watched her closely, and she felt a flutter in her chest.

‘Have we met before?’ he said.

She turned, raised a hand to her temple. ‘I don’t think so.’

‘You definitely look familiar.’

She raised her eyebrows. ‘I get that a lot, must have a generic face.’

He bit on his lip, concentrating. ‘I certainly wouldn’t say that.’