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Chapters (76)
  1. A DARK MATTER
  2. DEDICATION
  3. CONTENTS
  4. JENNY
  5. JENNY
  6. HANNAH
  7. DOROTHY
  8. HANNAH
  9. JENNY
  10. DOROTHY
  11. HANNAH
  12. DOROTHY
  13. HANNAH
  14. DOROTHY
  15. JENNY
  16. HANNAH
  17. DOROTHY
  18. JENNY
  19. DOROTHY
  20. HANNAH
  21. JENNY
  22. HANNAH
  23. DOROTHY
  24. JENNY
  25. HANNAH
  26. DOROTHY
  27. JENNY
  28. HANNAH
  29. JENNY
  30. DOROTHY
  31. JENNY
  32. HANNAH
  33. JENNY
  34. DOROTHY
  35. JENNY
  36. HANNAH
  37. HANNAH
  38. DOROTHY
  39. JENNY
  40. HANNAH
  41. DOROTHY
  42. JENNY
  43. HANNAH
  44. DOROTHY
  45. HANNAH
  46. JENNY
  47. DOROTHY
  48. JENNY
  49. HANNAH
  50. JENNY
  51. DOROTHY
  52. JENNY
  53. HANNAH
  54. DOROTHY
  55. JENNY
  56. DOROTHY
  57. HANNAH
  58. JENNY
  59. DOROTHY
  60. HANNAH
  61. JENNY
  62. DOROTHY
  63. HANNAH
  64. JENNY
  65. HANNAH
  66. DOROTHY
  67. JENNY
  68. ACKNOWLEDGEMENTS
  69. ABOUT THE AUTHOR
  70. COPYRIGHT
  71. AN EXTRACT FROM THE BIG CHILL
  72. DOROTHY
  73. JENNY
  74. HANNAH
  75. JENNY
  76. Other titles by Doug Johnstone, available from Orenda Books

‘I have never seen him paint in my life.’

‘Nevertheless.’ Jenny sipped her drink.

‘Are you sure he did these?’

Jenny nodded. ‘Pretty sure.’

Orla looked at each of the printouts in turn, gripping them too tight, creasing the paper in the corners. Eventually she put them down and lifted her drink, took a large swig. ‘You’re wrong.’

Jenny reached out and touched the corner of the nearest printout. ‘Why is it so hard for you to believe your husband painted these?’

Orla’s eyes hardened, her body stiff. ‘Have you ever spoken to him?’150

‘No.’

‘If you had, you’d know he’s not that kind of man.’

Jenny held her hands out. ‘I don’t know what else to tell you.’

Orla looked at the flow of people along the pavement. The vans and cars, trucks and buses, streaming in and out of town.

‘I want you to keep following him,’ she said eventually.

‘I don’t think there’s much point.’

‘It’s only been two days,’ Orla said. ‘Talk to the barmaid again. Or the other people in this studio, maybe he’s fucking one of them.’

Jenny collected up the printouts as Orla downed the remains of her wine. Her teeth and lips were stained red as she stroked her fringe away from her eyes.

‘I know there’s something else going on,’ she said. ‘This isn’t it.’

Jenny wondered if all her clients would be like this. Then she wondered at herself for thinking she would have future clients. Then she pictured herself in a mac and hat, passing unmarked envelopes to clients in dark alleyways and dingy bars.

‘OK,’ she said finally. ‘It’s your money.’

‘That’s right,’ Orla said. ‘It’s my money.’

151

29

HANNAH

East Fettes Avenue was a nice part of town, north of Stockbridge and New Town, wide road, a couple of big churches nearby, Broughton High School across the road and Inverleith Park round the corner. The terraced houses that Hannah parked the hearse outside were expensive for a lecturer’s salary, so his wife had to do something that earned proper money.

She and Dorothy had taken the pictures of Mel to Thomas, who said he would send someone to speak to Peter Longhorn. Hannah asked to tag along but Thomas said that was ridiculous. So she’d dropped Dorothy off, phoned uni payroll pretending to be from HMRC, and got Peter’s address from a nervous lackey.

And here she was. The hearse was noticeable but she didn’t care. About half an hour after she arrived, a police car turned up. Two men got out, one plainclothes the other in uniform, and were invited inside by the pretty wife with the baby cradled in her arm.