Back A Dark Matter
Chapters (76)
  1. A DARK MATTER
  2. DEDICATION
  3. CONTENTS
  4. JENNY
  5. JENNY
  6. HANNAH
  7. DOROTHY
  8. HANNAH
  9. JENNY
  10. DOROTHY
  11. HANNAH
  12. DOROTHY
  13. HANNAH
  14. DOROTHY
  15. JENNY
  16. HANNAH
  17. DOROTHY
  18. JENNY
  19. DOROTHY
  20. HANNAH
  21. JENNY
  22. HANNAH
  23. DOROTHY
  24. JENNY
  25. HANNAH
  26. DOROTHY
  27. JENNY
  28. HANNAH
  29. JENNY
  30. DOROTHY
  31. JENNY
  32. HANNAH
  33. JENNY
  34. DOROTHY
  35. JENNY
  36. HANNAH
  37. HANNAH
  38. DOROTHY
  39. JENNY
  40. HANNAH
  41. DOROTHY
  42. JENNY
  43. HANNAH
  44. DOROTHY
  45. HANNAH
  46. JENNY
  47. DOROTHY
  48. JENNY
  49. HANNAH
  50. JENNY
  51. DOROTHY
  52. JENNY
  53. HANNAH
  54. DOROTHY
  55. JENNY
  56. DOROTHY
  57. HANNAH
  58. JENNY
  59. DOROTHY
  60. HANNAH
  61. JENNY
  62. DOROTHY
  63. HANNAH
  64. JENNY
  65. HANNAH
  66. DOROTHY
  67. JENNY
  68. ACKNOWLEDGEMENTS
  69. ABOUT THE AUTHOR
  70. COPYRIGHT
  71. AN EXTRACT FROM THE BIG CHILL
  72. DOROTHY
  73. JENNY
  74. HANNAH
  75. JENNY
  76. Other titles by Doug Johnstone, available from Orenda Books

She came round the room, glancing at the canvases stacked on the floor, the same ones she’d seen when she broke in.

‘Is this place secure?’

He was at his canvas now but still watching her. ‘If you’d asked a week ago I would’ve said yes but I got broken into the other day.’

‘Did they take anything?’

He laughed and shook his head. ‘I guess they weren’t art fans.’

She smiled.

‘I presume they were after stuff they could sell,’ Liam said. ‘Laptops, anything electrical. A bunch of weird paintings by a nobody wouldn’t get many buyers down at the pub.’

Jenny pointed at a picture on the floor. ‘I think these are great, they’re not weird at all.’

The painting had the vague outline of a deer, but it seemed rooted in the forest, like it was a malformed tree, its antlers were branches with leaves and blooms sprouting from them. Other trees in the background had animal shapes, with a liquid sun pouring through the skeletal outcrops. It was beautiful and eerie.

‘Thanks.’

‘I mean it,’ Jenny said, coming round to the work in progress. It was kind of a seascape, figures below and above the water, something like a whale carcass with ribs poking out, and a rotting ship, 227beams exposed at the waterline. Alien plants wrapped around them, purple and maroon seaweeds, luminous vines trailing from both structures, the balance and composition off centre and off kilter.

‘Do you ever show these or sell them?’

He laughed in surprise. ‘No, nothing like that.’

‘You should.’

He shook his head.

‘I’m not bullshitting,’ Jenny said.

He leaned into a bow. ‘You’re very kind, but I don’t think I’m ready.’

She smiled at his self-deprecation and held out a hand. ‘I’m Jenny by the way.’

He shook her hand, strong and solid. ‘Liam.’

She went back to looking around the room, brushed hair away from her face.

‘I know where I’ve seen you before,’ he said.

She lowered her hand and turned.

‘My sister-in-law’s funeral, you were working for the undertaker.’

Jenny had hoped different hair and clothes would throw him off, but he was an artist, it was his job to notice things. Or maybe he’d just noticed her. ‘Yes, I work there, was that Gina O’Donnell’s service?’

He nodded, thoughtful. ‘What’s it like in that business?’

‘I’ve only just started, really.’

‘What do you mean?’

‘It’s the family business,’ she said. ‘Skelf Funeral Directors. I’m Jenny Skelf. But I only began helping out when my father died.’

Liam took a step closer. ‘I’m sorry to hear that.’

She could feel the warmth of him standing close, and wondered if he was going to touch her, a sympathetic hand on the arm.

‘It’s OK,’ she said.

‘No, it’s not, your dad died, it’s anything but OK.’228