Chapters (115)
- Cover
- 99 POEMS
- ALSO BY DANA GIOIA
- 99 POEMS
- Copyright
- Dedication
- 99 POEMS
- • I •
- THE BURNING LADDER
- INSOMNIA
- THE STARS NOW REARRANGE THEMSELVES
- NOTHING IS LOST
- DO NOT EXPECT
- BEWARE OF THINGS IN DUPLICATE
- ALL SOULS’
- ON APPROACHING FORTY
- MAZE WITHOUT A MINOTAUR
- WORDS
- INTERROGATIONS AT NOON
- ENTRANCE
- NEW YEAR’S
- THE ANGEL WITH THE BROKEN WING
- PROPHECY
- THE ROAD
- PRAYER AT WINTER SOLSTICE
- MONSTER
- HOMAGE TO SOREN KIERKEGAARD
- • II •
- CALIFORNIA HILLS IN AUGUST
- CRUISING WITH THE BEACH BOYS
- IN CHANDLER COUNTRY
- IN CHEEVER COUNTRY
- THE GARDEN ON THE CAMPAGNA
- MOST JOURNEYS COME TO THIS
- WAITING IN THE AIRPORT
- MEN AFTER WORK
- ROUGH COUNTRY
- BECOMING A REDWOOD
- A CALIFORNIA REQUIEM
- THE END OF THE WORLD
- SHOPPING
- SEA PEBBLES: AN ELEGY
- VULTURES MATING
- PROGRESS REPORT
- • III •
- PRAYER
- NIGHT WATCH
- VETERANS’ CEMETERY
- THE SONG
- THE GODS OF WINTER
- PLANTING A SEQUOIA
- METAMORPHOSIS
- PENTECOST
- THE LITANY
- UNSAID
- FINDING A BOX OF FAMILY LETTERS
- SPECIAL TREATMENTS WARD
- MAJORITY
- MY HANDSOME COUSIN
- • IV •
- ELEGY FOR VLADIMIR DE PACHMANN
- LIVES OF THE GREAT COMPOSERS
- GOD ONLY KNOWS
- A CURSE ON GEOGRAPHERS
- A SHORT HISTORY OF TOBACCO
- GUIDE TO THE OTHER GALLERY
- MY CONFESSIONAL SESTINA
- THE SILENCE OF THE POETS
- MONEY
- THE NEXT POEM
- ELEGY WITH SURREALIST PROVERBS AS REFRAIN
- AUTUMN INAUGURAL
- THE SEVEN DEADLY SINS
- DEAL WITH THE DEVIL
- MEDITATION ON A LINE FROM NOVALIS
- TITLE INDEX TO MY NEXT BOOK OF POEMS
- • V •
- THE ROOM UPSTAIRS
- COUNTING THE CHILDREN
- HOMECOMING
- HAUNTED
- STYLE
- • VI •
- THE COUNTRY WIFE
- SONG FOR THE END OF TIME
- THE ARCHBISHOP
- NOSFERATU’S SERENADE
- MAD SONG
- ALLEY CAT LOVE SONG
- MARKETING DEPARTMENT TRIO
- PITY THE BEAUTIFUL
- REUNION
- THE HEART OF THE MATTER
- COLD SAN FRANCISCO
- HOUSEHOLD GODS
- FILM NOIR
- • VII •
- THANKS FOR REMEMBERING US
- THE SUNDAY NEWS
- SPEECH FROM A NOVELLA
- SPEAKING OF LOVE
- EQUATIONS OF THE LIGHT
- THE VOYEUR
- SPIDER IN THE CORNER
- SUMMER STORM
- THE LOST GARDEN
- BEING HAPPY
- THE PRESENT
- THE LUNATIC, THE LOVER, AND THE POET
- THE APPLE ORCHARD
- COME BACK
- AN OLD STORY
- MARRIAGE OF MANY YEARS
- ACKNOWLEDGMENTS
- NOTE ON THE TEXTS
the country opens up. Through the rattling
grime-streaked windows of the coach, streams appear,
pine trees gather into woods, and the leaf-swept yards
grow large enough to seem picturesque.
Farther off smooth parkways curve along the rivers,
trimmed by well-kept trees, and the County Airport
now boasts seven lines, but to know this country
see it from a train—even this crowded local
jogging home half an hour before dark
smelling of smoke and rain-damp shoes
on an afternoon of dodging sun and showers.
One trip without a book or paper
will show enough to understand
this landscape no ones takes too seriously.
The architecture of each station still preserves
its fantasy beside the sordid tracks—
defiant pergolas, a shuttered summer lodge,
a shadowy pavilion framed by high-arched windows
in this land of northern sun and lingering winter.
The town names stenciled on the platform signs—
Clear Haven, Bullet Park, and Shady Hill—
show that developers at least believe in poetry
if only as a talisman against the commonplace.
There always seems so much to guard against.
The sunset broadens for a moment, and the passengers
standing on the platform turn strangely luminous
in the light streaming from the Palisades across the river.
Some board the train. Others greet their arrivals
shaking hands and embracing in the dusk.
If there is an afterlife, let it be a small town
gentle as this spot at just this instant.
But the car doors close, and the bright crowd,
unaware of its election, disperses to the small
pleasures of the evening. The platform falls behind.
The train gathers speed. Stations are farther apart.
Marble staircases climb the hills where derelict estates
glimmer in the river-brightened dusk.
Some are convents now, some orphanages,
these palaces the Robber Barons gave to God.
And some are merely left to rot where now
broken stone lions guard a roofless colonnade,
a half-collapsed gazebo bursts with tires,
and each detail warns it is not so difficult
to make a fortune as to pass it on.
But splendor in ruins is splendor still,
even glimpsed from a passing train,
and it is wonderful to imagine standing
in the balustraded gardens above the river
where barges still ply their distant commerce.
Somewhere upstate huge factories melt ore,
mills weave fabric on enormous looms,
and sweeping combines glean the cash-green fields.
Fortunes are made. Careers advance like armies.
But here so little happens that is obvious.
Here in the odd light of a rainy afternoon
a ledger is balanced and put away,
a houseguest knots his tie beside a bed,
and a hermit thrush sings in the unsold lot
next to the tracks the train comes hurtling down.
Finally it’s dark outside. Through the freight houses
and oil tanks the train begins to slow
approaching the station where rows of travel posters
and empty benches wait along the platform.
Outside a few cars idle in a sudden shower.
And this at last is home, this ordinary town