Chapters (115)
- Cover
- 99 POEMS
- ALSO BY DANA GIOIA
- 99 POEMS
- Copyright
- Dedication
- 99 POEMS
- • I •
- THE BURNING LADDER
- INSOMNIA
- THE STARS NOW REARRANGE THEMSELVES
- NOTHING IS LOST
- DO NOT EXPECT
- BEWARE OF THINGS IN DUPLICATE
- ALL SOULS’
- ON APPROACHING FORTY
- MAZE WITHOUT A MINOTAUR
- WORDS
- INTERROGATIONS AT NOON
- ENTRANCE
- NEW YEAR’S
- THE ANGEL WITH THE BROKEN WING
- PROPHECY
- THE ROAD
- PRAYER AT WINTER SOLSTICE
- MONSTER
- HOMAGE TO SOREN KIERKEGAARD
- • II •
- CALIFORNIA HILLS IN AUGUST
- CRUISING WITH THE BEACH BOYS
- IN CHANDLER COUNTRY
- IN CHEEVER COUNTRY
- THE GARDEN ON THE CAMPAGNA
- MOST JOURNEYS COME TO THIS
- WAITING IN THE AIRPORT
- MEN AFTER WORK
- ROUGH COUNTRY
- BECOMING A REDWOOD
- A CALIFORNIA REQUIEM
- THE END OF THE WORLD
- SHOPPING
- SEA PEBBLES: AN ELEGY
- VULTURES MATING
- PROGRESS REPORT
- • III •
- PRAYER
- NIGHT WATCH
- VETERANS’ CEMETERY
- THE SONG
- THE GODS OF WINTER
- PLANTING A SEQUOIA
- METAMORPHOSIS
- PENTECOST
- THE LITANY
- UNSAID
- FINDING A BOX OF FAMILY LETTERS
- SPECIAL TREATMENTS WARD
- MAJORITY
- MY HANDSOME COUSIN
- • IV •
- ELEGY FOR VLADIMIR DE PACHMANN
- LIVES OF THE GREAT COMPOSERS
- GOD ONLY KNOWS
- A CURSE ON GEOGRAPHERS
- A SHORT HISTORY OF TOBACCO
- GUIDE TO THE OTHER GALLERY
- MY CONFESSIONAL SESTINA
- THE SILENCE OF THE POETS
- MONEY
- THE NEXT POEM
- ELEGY WITH SURREALIST PROVERBS AS REFRAIN
- AUTUMN INAUGURAL
- THE SEVEN DEADLY SINS
- DEAL WITH THE DEVIL
- MEDITATION ON A LINE FROM NOVALIS
- TITLE INDEX TO MY NEXT BOOK OF POEMS
- • V •
- THE ROOM UPSTAIRS
- COUNTING THE CHILDREN
- HOMECOMING
- HAUNTED
- STYLE
- • VI •
- THE COUNTRY WIFE
- SONG FOR THE END OF TIME
- THE ARCHBISHOP
- NOSFERATU’S SERENADE
- MAD SONG
- ALLEY CAT LOVE SONG
- MARKETING DEPARTMENT TRIO
- PITY THE BEAUTIFUL
- REUNION
- THE HEART OF THE MATTER
- COLD SAN FRANCISCO
- HOUSEHOLD GODS
- FILM NOIR
- • VII •
- THANKS FOR REMEMBERING US
- THE SUNDAY NEWS
- SPEECH FROM A NOVELLA
- SPEAKING OF LOVE
- EQUATIONS OF THE LIGHT
- THE VOYEUR
- SPIDER IN THE CORNER
- SUMMER STORM
- THE LOST GARDEN
- BEING HAPPY
- THE PRESENT
- THE LUNATIC, THE LOVER, AND THE POET
- THE APPLE ORCHARD
- COME BACK
- AN OLD STORY
- MARRIAGE OF MANY YEARS
- ACKNOWLEDGMENTS
- NOTE ON THE TEXTS
And as I reach for him, the voices pause,
The music stops, and there is nothing there
But one voice laughing in another room.
SPEAKING OF LOVE
Speaking of love was difficult at first.
We groped for those lost, untarnished words
That parents never traded casually at home,
The radio had not devalued.
How little there seemed left to us.
So, speaking of love, we chose
The harsh and level language of denial
Knowing only what we did not wish to say,
Choosing silence in our terror of a lie.
For surely love existed before words.
But silence can become its own cliché,
And bodies lie as skillfully as words,
So one by one we spoke the easy lines
The other had resisted but desired,
Trusting that love renewed their innocence.
Was it then that words became unstuck?
That star no longer seemed enough for star?
Our borrowed speech demanded love so pure
And so beyond our power that we saw
How words were only forms of our regret.
And so at last we speak again of love,
Now that there is nothing left unsaid,
Surrendering our voices to the past,
Which has betrayed us. Each of us alone,
With no words left to summon back our love.
EQUATIONS OF THE LIGHT
Turning the corner, we discovered it
just as the old wrought-iron lamps went on—
a quiet, tree-lined street, only one block long
resting between the noisy avenues.
The streetlamps splashed the shadows of the leaves
across the whitewashed brick, and each tall window
glowing through the ivy-decked facade
promised lives as perfect as the light.
Walking beneath the trees, we counted all
the high black doors of houses bolted shut.
And yet we could have opened any door,
entered any room the evening offered.
Or were we so deluded by the strange
equations of the light, the vagrant wind
searching the trees, that we believed this brief
conjunction of our separate lives was real?
It seemed that moment lingered like a ghost,
a flicker in the air, smaller than a moth,
a curl of smoke flaring from a match,
haunting a world it could not touch or hear.
There should have been a greeting or a sign,
the smile of a stranger, something beyond
the soft refusals of the summer air
and children trading secrets on the steps.
Traffic bellowed from the avenue.
Our shadows moved across the street’s long wall,
and at the end what else could we have done
but turn the corner back into our life?
THE VOYEUR
… and watching her undress across the room,
oblivious of him, watching as her slip
falls soundlessly and disappears in shadow,
and the dim lamplight makes her curving frame
seem momentarily both luminous
and insubstantial—like the shadow of a cloud
drifting across a hillside far away.
Watching her turn away, this slender ghost,
this silhouette of mystery, his wife,
walk naked to her bath, the room around her
so long familiar that it is, like him,