Chapters (115)
- Cover
- 99 POEMS
- ALSO BY DANA GIOIA
- 99 POEMS
- Copyright
- Dedication
- 99 POEMS
- • I •
- THE BURNING LADDER
- INSOMNIA
- THE STARS NOW REARRANGE THEMSELVES
- NOTHING IS LOST
- DO NOT EXPECT
- BEWARE OF THINGS IN DUPLICATE
- ALL SOULS’
- ON APPROACHING FORTY
- MAZE WITHOUT A MINOTAUR
- WORDS
- INTERROGATIONS AT NOON
- ENTRANCE
- NEW YEAR’S
- THE ANGEL WITH THE BROKEN WING
- PROPHECY
- THE ROAD
- PRAYER AT WINTER SOLSTICE
- MONSTER
- HOMAGE TO SOREN KIERKEGAARD
- • II •
- CALIFORNIA HILLS IN AUGUST
- CRUISING WITH THE BEACH BOYS
- IN CHANDLER COUNTRY
- IN CHEEVER COUNTRY
- THE GARDEN ON THE CAMPAGNA
- MOST JOURNEYS COME TO THIS
- WAITING IN THE AIRPORT
- MEN AFTER WORK
- ROUGH COUNTRY
- BECOMING A REDWOOD
- A CALIFORNIA REQUIEM
- THE END OF THE WORLD
- SHOPPING
- SEA PEBBLES: AN ELEGY
- VULTURES MATING
- PROGRESS REPORT
- • III •
- PRAYER
- NIGHT WATCH
- VETERANS’ CEMETERY
- THE SONG
- THE GODS OF WINTER
- PLANTING A SEQUOIA
- METAMORPHOSIS
- PENTECOST
- THE LITANY
- UNSAID
- FINDING A BOX OF FAMILY LETTERS
- SPECIAL TREATMENTS WARD
- MAJORITY
- MY HANDSOME COUSIN
- • IV •
- ELEGY FOR VLADIMIR DE PACHMANN
- LIVES OF THE GREAT COMPOSERS
- GOD ONLY KNOWS
- A CURSE ON GEOGRAPHERS
- A SHORT HISTORY OF TOBACCO
- GUIDE TO THE OTHER GALLERY
- MY CONFESSIONAL SESTINA
- THE SILENCE OF THE POETS
- MONEY
- THE NEXT POEM
- ELEGY WITH SURREALIST PROVERBS AS REFRAIN
- AUTUMN INAUGURAL
- THE SEVEN DEADLY SINS
- DEAL WITH THE DEVIL
- MEDITATION ON A LINE FROM NOVALIS
- TITLE INDEX TO MY NEXT BOOK OF POEMS
- • V •
- THE ROOM UPSTAIRS
- COUNTING THE CHILDREN
- HOMECOMING
- HAUNTED
- STYLE
- • VI •
- THE COUNTRY WIFE
- SONG FOR THE END OF TIME
- THE ARCHBISHOP
- NOSFERATU’S SERENADE
- MAD SONG
- ALLEY CAT LOVE SONG
- MARKETING DEPARTMENT TRIO
- PITY THE BEAUTIFUL
- REUNION
- THE HEART OF THE MATTER
- COLD SAN FRANCISCO
- HOUSEHOLD GODS
- FILM NOIR
- • VII •
- THANKS FOR REMEMBERING US
- THE SUNDAY NEWS
- SPEECH FROM A NOVELLA
- SPEAKING OF LOVE
- EQUATIONS OF THE LIGHT
- THE VOYEUR
- SPIDER IN THE CORNER
- SUMMER STORM
- THE LOST GARDEN
- BEING HAPPY
- THE PRESENT
- THE LUNATIC, THE LOVER, AND THE POET
- THE APPLE ORCHARD
- COME BACK
- AN OLD STORY
- MARRIAGE OF MANY YEARS
- ACKNOWLEDGMENTS
- NOTE ON THE TEXTS
Torn in places, crossed with deep red welts,
But this time everywhere—as if his veins
Had pushed up to the surface and spilled out.
And there was nothing in his body now,
Nothing but the voice that spoke to me,
And this cold white light pouring through the room.
I stared at him. His skin was bright and pale.
“Why are you doing this to me?” I asked.
“Please, go away.”
“But I’ve come back to you.
I’m cold. Just hold me. I’m so very cold.”
What else could I have done but hold him there?
I took him in my arms—he was so light—
And held him in the doorway listening.
Nothing else was said or lost it seemed.
We waited there while it grew dark again,
And he grew lighter, slipping silently away
Like snow between my fingers, and was gone.
That’s all there is to say. I can’t explain it,
And now I’m sorry to have bored you so.
It’s getting late. You know the way upstairs.
But no, of course not. Let me show you to your room.
COUNTING THE CHILDREN
I.
“This must have been her bedroom, Mr. Choi.
It’s hard to tell. The only other time
I came back here was when I found her body.”
Neither of us belonged there. She lived next door.
I was the accountant sent out by the State
To take an inventory of the house.
When someone wealthy dies without a will,
The court sends me to audit the estate.
They know that strangers trust a man who listens.
The neighbor led me down an unlit hall.
We came up to a double door and stopped.
She whispered as if someone else were near.
“She used to wander around town at night
And rifle through the trash. We all knew that.
But what we didn’t know about was them.”
She stepped inside and fumbled for a switch.
It didn’t work, but light leaked through the curtains.
“Come in,” she said. “I want to show you hell.”
I walked into a room of wooden shelves
Stretching from floor to ceiling, wall to wall,
With smaller shelves arranged along the center.
A crowd of faces looked up silently.
Shoulder to shoulder, standing all in rows,
Hundreds of dolls were lining every wall.
Not a collection anyone would want—
Just ordinary dolls salvaged from the trash
With dozens of each kind all set together.
Some battered, others missing arms and legs,
Shelf after shelf of the same dusty stare
As if despair could be assuaged by order.
They looked like sisters huddling in the dark,
Forgotten brides abandoned at the altar,
Their veils turned yellow, dresses stiff and soiled.
Rows of discarded little girls and babies—
Some naked, others dressed for play—they wore
Whatever lives their owners left them in.
Where were the children who promised them love?
The small, caressing hands, the lips which whispered