Chapters (115)
- Cover
- 99 POEMS
- ALSO BY DANA GIOIA
- 99 POEMS
- Copyright
- Dedication
- 99 POEMS
- • I •
- THE BURNING LADDER
- INSOMNIA
- THE STARS NOW REARRANGE THEMSELVES
- NOTHING IS LOST
- DO NOT EXPECT
- BEWARE OF THINGS IN DUPLICATE
- ALL SOULS’
- ON APPROACHING FORTY
- MAZE WITHOUT A MINOTAUR
- WORDS
- INTERROGATIONS AT NOON
- ENTRANCE
- NEW YEAR’S
- THE ANGEL WITH THE BROKEN WING
- PROPHECY
- THE ROAD
- PRAYER AT WINTER SOLSTICE
- MONSTER
- HOMAGE TO SOREN KIERKEGAARD
- • II •
- CALIFORNIA HILLS IN AUGUST
- CRUISING WITH THE BEACH BOYS
- IN CHANDLER COUNTRY
- IN CHEEVER COUNTRY
- THE GARDEN ON THE CAMPAGNA
- MOST JOURNEYS COME TO THIS
- WAITING IN THE AIRPORT
- MEN AFTER WORK
- ROUGH COUNTRY
- BECOMING A REDWOOD
- A CALIFORNIA REQUIEM
- THE END OF THE WORLD
- SHOPPING
- SEA PEBBLES: AN ELEGY
- VULTURES MATING
- PROGRESS REPORT
- • III •
- PRAYER
- NIGHT WATCH
- VETERANS’ CEMETERY
- THE SONG
- THE GODS OF WINTER
- PLANTING A SEQUOIA
- METAMORPHOSIS
- PENTECOST
- THE LITANY
- UNSAID
- FINDING A BOX OF FAMILY LETTERS
- SPECIAL TREATMENTS WARD
- MAJORITY
- MY HANDSOME COUSIN
- • IV •
- ELEGY FOR VLADIMIR DE PACHMANN
- LIVES OF THE GREAT COMPOSERS
- GOD ONLY KNOWS
- A CURSE ON GEOGRAPHERS
- A SHORT HISTORY OF TOBACCO
- GUIDE TO THE OTHER GALLERY
- MY CONFESSIONAL SESTINA
- THE SILENCE OF THE POETS
- MONEY
- THE NEXT POEM
- ELEGY WITH SURREALIST PROVERBS AS REFRAIN
- AUTUMN INAUGURAL
- THE SEVEN DEADLY SINS
- DEAL WITH THE DEVIL
- MEDITATION ON A LINE FROM NOVALIS
- TITLE INDEX TO MY NEXT BOOK OF POEMS
- • V •
- THE ROOM UPSTAIRS
- COUNTING THE CHILDREN
- HOMECOMING
- HAUNTED
- STYLE
- • VI •
- THE COUNTRY WIFE
- SONG FOR THE END OF TIME
- THE ARCHBISHOP
- NOSFERATU’S SERENADE
- MAD SONG
- ALLEY CAT LOVE SONG
- MARKETING DEPARTMENT TRIO
- PITY THE BEAUTIFUL
- REUNION
- THE HEART OF THE MATTER
- COLD SAN FRANCISCO
- HOUSEHOLD GODS
- FILM NOIR
- • VII •
- THANKS FOR REMEMBERING US
- THE SUNDAY NEWS
- SPEECH FROM A NOVELLA
- SPEAKING OF LOVE
- EQUATIONS OF THE LIGHT
- THE VOYEUR
- SPIDER IN THE CORNER
- SUMMER STORM
- THE LOST GARDEN
- BEING HAPPY
- THE PRESENT
- THE LUNATIC, THE LOVER, AND THE POET
- THE APPLE ORCHARD
- COME BACK
- AN OLD STORY
- MARRIAGE OF MANY YEARS
- ACKNOWLEDGMENTS
- NOTE ON THE TEXTS
So how did I address this revenant,
this traveler from the undiscovered country,
who stared at me with dark, unblinking eyes?
I caught my breath, got on my feet, and said—
nothing at all. The words stuck in my throat.
We stood there face to face, inches apart.
Her pale skin shined like a window catching sunlight,
both bright and clear, but chilling to the touch.
She stared at me with undisguised contempt,
and then she whispered, almost in a hiss,
“You don’t belong here. No, you don’t belong here.”
She slowly reached to touch me, and I ran
leaving behind both Shakespeare and my shoes.
Mara was still awake when I arrived.
The lamp was on. The fireplace ablaze.
And she stretched naked under satin sheets.
“So, you’ve come back?” she yawned with mock ennui,
then added with a smirk, “You weren’t gone long.”
I didn’t say a word of what I’d seen.
We used to sleep in one another’s arms,
our two slim bodies interlaced like hands.
That night I held her, feeling our hearts beat—
first hers, then mine—always out of sync,
and in the dark I thought, I don’t belong here,
I don’t belong here. Slipping out of bed,
I quickly dressed, and what I couldn’t wear
I left behind—the clothes, the books, the camera,
no longer mine. What a surprise to first feel
the liberations of divestiture.
I moved with such new lightness down the stairs,
watched by mute saints and marble goddesses.
Then out the door. I closed it quietly.
The lock clicked shut. Good-bye to both my ghosts.
I made it to the county road by dawn
and hitched a ride on an old dairy truck.
“What happened to your shoes?” the driver said.
“No, better yet, don’t tell me. Just get in.”
I climbed in, and one road led to another.
And now I’m in your bar. That’s probably not
the story you expected from a monk,
delivering brandy from the monastery.
Not all of us began as altar boys.
I’ve been there fifteen years. I like the drill—
Poverty, Chastity, and Growing Grapes.
The archbishop calls my port a miracle.
Don’t tell His Grace, but I still doubt there is
an afterlife. That’s not why I stay there.
This is the life I didn’t want to waste.
STYLE
I.
Just look at me. Isn’t it obvious?
I have no style. I’m just a human blur.
On me expensive clothes look second-hand.
They droop or sag. The color’s never right.
I wear the wrong apparel to the party.
I pick the dullest item on the menu.
Each haircut brings some new humiliation.
That’s why I always loved to visit Tom.
He had the perfect sense for what was perfect.
He never wore a sports coat or a shirt
That didn’t seem exactly right—not just