With eyes that have forgotten how to see

From viewing things already too well-known,

Lift up into the dark a huge, black tree

And put it in the heavens: tall, alone.

And you have made the world and all you see.

It ripens like the words still in your mouth.

And when at last you comprehend its truth,

Then close your eyes and gently set it free.

(From the German of Rainer Maria Rilke)

NEW YEAR’S

Let other mornings honor the miraculous.

Eternity has festivals enough.

This is the feast of our mortality,

The most mundane and human holiday.

On other days we misinterpret time,

Pretending that we live the present moment.

But can this blur, this smudgy in-between,

This tiny fissure where the future drips

Into the past, this flyspeck we call now

Be our true habitat? The present is

The leaky palm of water that we skim

From the swift, silent river slipping by.

The new year always brings us what we want

Simply by bringing us along—to see

A calendar with every day uncrossed,

A field of snow without a single footprint.

THE ANGEL WITH THE BROKEN WING

I am the Angel with the Broken Wing,

The one large statue in this quiet room.

The staff finds me too fierce, and so they shut

Faith’s ardor in this air-conditioned tomb.

The docents praise my elegant design

Above the chatter of the gallery.

Perhaps I am a masterpiece of sorts—

The perfect emblem of futility.

Mendoza carved me for a country church.

(His name’s forgotten now except by me.)

I stood beside a gilded altar where

The hopeless offered God their misery.

I heard their women whispering at my feet—

Prayers for the lost, the dying, and the dead.

Their candles stretched my shadow up the wall,

And I became the hunger that they fed.

I broke my left wing in the Revolution

(Even a saint can savor irony)

When troops were sent to vandalize the chapel.

They hit me once—almost apologetically.

For even the godless feel something in a church,

A twinge of hope, fear? Who knows what it is?

A trembling unaccounted by their laws,

An ancient memory they can’t dismiss.

There are so many things I must tell God!

The howling of the damned can’t reach so high.

But I stand like a dead thing nailed to a perch,

A crippled saint against a painted sky.

PROPHECY

Sometimes a child will stare out of a window

for a moment or an hour—deciphering

the future from a dusky summer sky.

Does he imagine that some wisp of cloud

reveals the signature of things to come?

Or that the world’s a book we learn to translate?

And sometimes a girl stands naked by a mirror

imagining beauty in a stranger’s eyes

finding a place where fear leads to desire.

For what is prophecy but the first inkling

of what we ourselves must call into being?