Chapters (156)
- Front Cover
- Title Page
- Copyright
- Contents
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Chapter 105
- Chapter 106
- Chapter 107
- Chapter 108
- Chapter 109
- Chapter 110
- Chapter 111
- Chapter 112
- Chapter 113
- Chapter 114
- Chapter 115
- Chapter 116
- Chapter 117
- Chapter 118
- Chapter 119
- Chapter 120
- Chapter 121
- Chapter 122
- Chapter 123
- Chapter 124
- Chapter 125
- Chapter 126
- Chapter 127
- Chapter 128
- Chapter 129
- Chapter 130
- Chapter 131
- Chapter 132
- Chapter 133
- Chapter 134
- Chapter 135
- Chapter 136
- Chapter 137
- Chapter 138
- Chapter 139
- Chapter 140
- Chapter 141
- Chapter 142
- Chapter 143
- Chapter 144
- Author’s Note
- A Q&A with Vincent Ralph
- A Sneak Peek of Lock the Doors
- 1
- 2
- Acknowledgments
- About the Author
- Back Cover
The profile picture is a magpie, and the account has only tweeted once, but it already has more than a thousand followers.
“It’s not really him,” Hanna says, and while I know she’s right, it still makes me shiver.
The first tweet says:
I’m watching you, Jessica.
I feel the tears come again and try to blink them away, but they slip out anyway.
When Hanna notices, she squeezes my hand. “There are some creepy people out there.”
I take a few deep breaths, desperate to stay calm. It’s only going to get worse. I knew that before I started. And if I can’t handle this, I might as well quit now. There were always going to be disgusting people, creeps forcing their way into my story, because that’s what they do. But it still feels overwhelming.
“I’m sure he’ll be blocked,” Hanna says, but even if he is, another will spring up in his place.
I think about deleting my Twitter account, but I’ll have to check the contract, because it probably says I can’t.
To change the subject, I tell them about Ross’s friend request.
“Is he cute?” Emily asks. When I say he’s gay, she says, “I refer you to my original question.”
She smiles, and I can’t help laughing, and then Hanna says, “Does he know anything?”
“I don’t think so. I think he’s just being nice.”
Although I hope it’s more than that. I hope eventually, if I can speak to everyone, I will find a pattern the police couldn’t see.
Chapter 29
If I’m going to beat the others, I need to keep up.
Tuesday—Ryan—passed me by, so I watch his highlights.
What the producers do is cut together our best scenes and turn our day into an hour: a neat and tidy roundup for people who didn’t watch us live. The highlights are then added to our channel: sixty-minute videos you can click on whenever you want. Those, combined with the live stats, determine which of us gets three months rather than one.
Once you’ve done it yourself—talked to the world through a camera lens with no idea how many people are watching—it’s interesting to see how others do it.
Ryan lives with his mother and older sister, and neither of them like what he’s doing.
I watch them argue with him, his mother turning directly to the camera and saying, “This isn’t right!”
While Dad’s grief has seeped into his pores, Ryan’s family’s sadness has expanded, bursting out without warning. I wonder how he got them to sign the contract. Did he guilt-trip them like I did?
When Ryan’s mother isn’t shouting, she sits in the corners of shots, watching as he apologizes for his brother’s actions.