Contents ( 83)
- Contents
- Author’s Note
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Afterword
- About the Author
“Sure,” the detective said. “Evidence, crime scene? You’re a better interrogator than I am but I’m game.”
“No,” she said. She took him by the shoulders and walked him backward five feet. She then stepped away and examined him closely. “Just stand right there and don’t move.”
As she walked out the door, O’Neil looked around and said, “I can do that.”
A HALF HOUR later, Dance and O’Neil, along with a contingent of FMCSO deputies, sped through the hazy late-summer afternoon toward a motel off Highway 41.
It was a Red Roof Inn. Decent, clean but surely far below what the guest they were about to arrest had been used to at certain points in his life.
The four cars approached silently.
There were jurisdictional considerations, of course, but Dance and O’Neil weren’t here to claim the trophy, merely to help out. They were happy to let the local constabulary handle the arrest. She had, after all, agreed to let Madigan take the collar and corner the publicity, though it would be FMCSO in general who’d get the credit, since he wasn’t on active duty.
The three police cars and Dance’s Nissan slipped silently up to the motel and parked. With a shared smile and tacit understanding, Dance and O’Neil glanced at each other and wandered to the back of the place, while Harutyun, Stanning and four other deputies sprinted through the halls to the room where surveillance had revealed the suspect was staying.
As they’d guessed, the nervous perp had been anticipating the visit; he’d seen the cars approach and he literally leapt out the window of his room onto an unpleasant patch of grass reserved for dogs doing their business. He righted himself fast, wrapped his computer bag strap around his chest and poised for a sprint, then wisely chose to stop as he glanced at the guns in the hands of Dance and O’Neil, both of the muzzles pointed steadily at his head.
Two other somber deputies, one Latino and one Anglo, joined them in the back. They were the ones who slapped the cuffs on Kayleigh’s producer, Barry Zeigler, and led him toward the parking lot around front. It was Kathryn Dance who took possession of the computer bag that would contain the priceless songs that he’d stolen from Bobby Prescott’s trailer, the morning after he’d killed the roadie.
Chapter 49
“YOUR HEIGHT,” DANCE explained to him.
Zeigler sat, miserable, in the backseat of a sheriff’s office cruiser. The door was open and he was facing outward, hands shackled behind him.
She continued to elaborate, answering his question about how she knew it was he. “The perp would know Bobby pretty well and had probably been in his trailer before. And he’d been somebody who was very familiar with everyone connected with the band.”
The deciding factor was what she told him next: “And he was tall.”
“Tall?”
She explained about her interview with Tabatha, across the street, several days ago. “She said she’d seen somebody inside that morning. Except, she couldn’t see the intruder’s head, only his chest.”