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Contents ( 83)
  1. Contents
  2. Author’s Note
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Afterword
  83. About the Author

This was why she’d put O’Neil in front of the window of the trailer a half hour ago. Recalling that she’d been eye-to-eye with P. K. Madigan, outside, when she’d searched the trailer, she’d positioned the Monterey detective about where Tabatha had seen the intruder. She’d then stepped outside and walked across the street. Looking back, she’d clearly seen O’Neil’s face.

Which meant that the intruder Monday morning had been well over O’Neil’s height of six feet. The only person she’d met recently with an interest in Kayleigh Towne, who knew Bobby and who fit that stature was Barry Zeigler.

“Shit,” the man muttered, utterly defeated. “I’m sorry. I don’t know what to say. I’m sorry.”

Dance heard that often as an interrogator.

Sorry …

Of course what it meant, ten times out of ten, was: I’m sorry I got caught.

“When I met you at Kayleigh’s house you said you’d just driven there from Carmel. But we talked to the desk clerk here. You checked in the morning after Bobby was killed.”

“I know, I know. I lied. I’m sorry.”

That, again.

Dance said, “And then there was the recording of Kayleigh singing ‘Your Shadow.’ That you played to announce the attacks? It was done on a high-quality digital recorder. The sort that pros use—pros like you, producers and engineers.”

“Recording?” he asked, frowning.

She glanced at Dennis Harutyun, who ran through the Miranda warning. He added, “You’re under arrest for murder, for—”

“Murder? What do you mean?”

Dance and Harutyun exchanged glances.

“You’re being arrested for the murder of Bobby Prescott, sir,” the Fresno detective said. “And Frederick Blanton. And assault and battery on Sheri Towne and Agent Dance. Do you wish to—”

“No, no, I didn’t kill anyone! I didn’t attack anyone!” The producer’s face was shocked. Dance had seen a lot of performances from suspects; this was one of the best. “I’d never do that! Why would I do that?”

“Yessir. You’ll have your day in court. Do you understand your rights?”

“Bobby? You’re thinking I killed Bobby? No! And I’d never hurt Sheri. This is—”

“Do you understand—?”

“Yes, yes. But—”

“Do you wish to waive your right to remain silent?”

“Sure, yes. This is ridiculous. This is a huge misunderstanding.”

Harutyun asked, “Did you drive up here on Sunday and kill Bobby Prescott that night?”

“No, no. I drove in on Monday morning, about eleven. After I heard from Kayleigh that Bobby had died. Yes, I broke into Bobby’s trailer but it was just to get some personal things.”

“The songs,” Harutyun said. “We know all about them.”

“Songs?”

“The Beatles songs.”

“What are you talking about?”

The quality of his confusion seemed genuine so she decided to add, “Bobby’s father was a technician at Abbey Road in the sixties and seventies.”

“Right. A pretty famous one. But what does that have to do with anything?”

“The Beatles gave him four original songs they wrote after they finished Abbey Road.”

Barry Zeigler laughed. “No, no, no …”