Contents ( 83)
- Contents
- Author’s Note
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Afterword
- About the Author
This was why she’d put O’Neil in front of the window of the trailer a half hour ago. Recalling that she’d been eye-to-eye with P. K. Madigan, outside, when she’d searched the trailer, she’d positioned the Monterey detective about where Tabatha had seen the intruder. She’d then stepped outside and walked across the street. Looking back, she’d clearly seen O’Neil’s face.
Which meant that the intruder Monday morning had been well over O’Neil’s height of six feet. The only person she’d met recently with an interest in Kayleigh Towne, who knew Bobby and who fit that stature was Barry Zeigler.
“Shit,” the man muttered, utterly defeated. “I’m sorry. I don’t know what to say. I’m sorry.”
Dance heard that often as an interrogator.
Sorry …
Of course what it meant, ten times out of ten, was: I’m sorry I got caught.
“When I met you at Kayleigh’s house you said you’d just driven there from Carmel. But we talked to the desk clerk here. You checked in the morning after Bobby was killed.”
“I know, I know. I lied. I’m sorry.”
That, again.
Dance said, “And then there was the recording of Kayleigh singing ‘Your Shadow.’ That you played to announce the attacks? It was done on a high-quality digital recorder. The sort that pros use—pros like you, producers and engineers.”
“Recording?” he asked, frowning.
She glanced at Dennis Harutyun, who ran through the Miranda warning. He added, “You’re under arrest for murder, for—”
“Murder? What do you mean?”
Dance and Harutyun exchanged glances.
“You’re being arrested for the murder of Bobby Prescott, sir,” the Fresno detective said. “And Frederick Blanton. And assault and battery on Sheri Towne and Agent Dance. Do you wish to—”
“No, no, I didn’t kill anyone! I didn’t attack anyone!” The producer’s face was shocked. Dance had seen a lot of performances from suspects; this was one of the best. “I’d never do that! Why would I do that?”
“Yessir. You’ll have your day in court. Do you understand your rights?”
“Bobby? You’re thinking I killed Bobby? No! And I’d never hurt Sheri. This is—”
“Do you understand—?”
“Yes, yes. But—”
“Do you wish to waive your right to remain silent?”
“Sure, yes. This is ridiculous. This is a huge misunderstanding.”
Harutyun asked, “Did you drive up here on Sunday and kill Bobby Prescott that night?”
“No, no. I drove in on Monday morning, about eleven. After I heard from Kayleigh that Bobby had died. Yes, I broke into Bobby’s trailer but it was just to get some personal things.”
“The songs,” Harutyun said. “We know all about them.”
“Songs?”
“The Beatles songs.”
“What are you talking about?”
The quality of his confusion seemed genuine so she decided to add, “Bobby’s father was a technician at Abbey Road in the sixties and seventies.”
“Right. A pretty famous one. But what does that have to do with anything?”
“The Beatles gave him four original songs they wrote after they finished Abbey Road.”
Barry Zeigler laughed. “No, no, no …”