Back Worlds Enough and Time
Chapters (90)
  1. Title Page
  2. Enter the SF Gateway …
  3. Contents
  4. Author Note
  5. PROLOGUE: TRANSCRIPT
  6. IDENTITIES
  7. YEAR 0.005
  8. EARTHWATCH
  9. A CHANCE TO DREAM
  10. MEETING OF MINDS
  11. GENESIS AND REVELATION
  12. GRAVE IMAGE
  13. THINGS THAT GO BUMP IN THE NIGHT
  14. MANEUVERING
  15. BIG SISTER
  16. THE POWER TO SOOTHE
  17. YEAR 1.00
  18. ABOUT TIME
  19. HAPPY NEW YEAR
  20. TORN BETWEEN TWO LOVERS
  21. FROM EACH ACCORDING TO HIS INCLINATIONS
  22. IN THE DEAD VAST AND MIDDLE OF THE NIGHT
  23. OPTIONS
  24. DRIFTING
  25. DIVIDE AND MULTIPLY
  26. DIONYSUS MEETS GODZILLA
  27. 10
  28. DIDN’T SHE RAMBLE?
  29. YEAR 1.33
  30. LONG-RANGE PLANS
  31. NEW BEGINNINGS
  32. UNTIMELY PLUCKED
  33. BLUES
  34. YEAR 1.88
  35. LABOR-SAVING DEVICE
  36. FROM THE CRADLE TO THE GRAVE TO THE CRADLE
  37. A MODEST PROPOSAL
  38. ADVICE TO THE LOVELORN
  39. ONE PART HARMONY
  40. TWO PARTS DISCORD
  41. YEAR 3.21
  42. LEAVINGS
  43. REMEMBRANCE OF THINGS PAST
  44. TRANSLATING
  45. YEAR 5.71
  46. WATERSHED, BLOODSHED
  47. NIGHT OF THE LIVING DEAD
  48. A WOMAN OF DISCRIMINATION
  49. THAT TIME OF YEAR THOU MAYE5T IN ME BEHOLD
  50. CATEGORIES
  51. YEAR 6.26
  52. AULD ACQUAINTANCE
  53. SOWING, REAPING
  54. TEMPERAMENT
  55. BAD SEED
  56. YEAR 8.36
  57. HUSBANDRY
  58. POPULATION EXPLOSION
  59. YEAR 9.88
  60. HOMECOMING
  61. THE BURDENS OF FAITH
  62. YEAR 11.07
  63. GROWING PAINS
  64. LONG-DISTANCE CALL
  65. FOUR NOVELS
  66. AGE 55
  67. IN DREAMS AWAKE
  68. UP TEMPO
  69. JUVENILIA
  70. POOL PARTY
  71. INTERIM REPORT
  72. CHANCES
  73. BE ALL THAT YOU CAN BE
  74. FINAL APPROACH
  75. AGE 56
  76. DAY ZERO
  77. FIRST CONTACT
  78. LETTER ‘HOME
  79. HOUSEKEEPING
  80. AGE 57
  81. SETTLING, UNSETTLING
  82. THE HUNT
  83. FINAL EXAM
  84. AGE 100
  85. Website
  86. Also by Joe Haldeman
  87. Dedication
  88. EPILOGUE
  89. Author Bio
  90. Copyright

They’d met at Athens lift because that allowed John to do most of his walking up on Level 6. But it did make their route to the meeting room rather complicated. They descended an escalator to the humid brightness of Level 1, the “ag” level, which in this section was a dense interplanting of corn and beans. The stalks were already a meter high, and they made a silken whisper in the ventilator breeze, and a rich complex smell. They walked and swung less than a hundred meters to another escalator that took them up to Level 4. O’Hara guided them through the maze of rights and lefts, ups and downs, that made the Arts and Crafts Mall so architecturally whimsical, and they wound up back on Level 2, in a corridor decorated with holos from European museums, somber classical paintings, leading to Studio 1.

“Should I wait outside and listen?” Evy asked.

“I don’t think it’s going to amount to much,” Daniel said. They were headed for the first full Cabinet meeting since Launch. “Some rhetoric from Harry and a situation report from Eliot. Maybe Jules Hammond smiling benevolently over the proceedings. Then they turn off the cameras and we all go huddle around the coffee urns and it’s like any Thursday meeting.”

“Except you have everyone in the same room,” O’Hara said.

“Handier than calling them up,” John said. “Though there may be some you would just as soon not feast your eyes upon.”

“Who could that be?”

“You’ll have to get used to working with him.” They were talking about Harry Purcell, Policy Coordinator and O’Hara’s ultimate superior. Sixteen years before, Purcell had been her economics professor, and they had argued energetically over some pretty basic points—personality as much as theory. He made it clear he hadn’t forgotten. She was trying to learn not to cringe whenever he opened his mouth.

GENESIS AND REVELATION

28 September 2097 [13 Bobrovnikov 290]—I don’t know why I’d envisioned a round table for the Cabinet meeting. We did that in New New for my Demographics Committee, no chiefs and no Indians, but with thirty-some Cabinet members it would be an unwieldy circle.

Still, I don’t like formal hierarchal structures, least of all when they’re set up with me at the bottom. A regular classroom would have been bad enough, the Coordinators up front dispensing wisdom, but instead we co-opted the small theater. That way Harry Purcell and Eliot Smith got to sit on the stage, head and shoulder (and torso and ass and leg, at least in Purcell’s case) above us mere mortals.