Back Worlds Enough and Time
Chapters (90)
  1. Title Page
  2. Enter the SF Gateway …
  3. Contents
  4. Author Note
  5. PROLOGUE: TRANSCRIPT
  6. IDENTITIES
  7. YEAR 0.005
  8. EARTHWATCH
  9. A CHANCE TO DREAM
  10. MEETING OF MINDS
  11. GENESIS AND REVELATION
  12. GRAVE IMAGE
  13. THINGS THAT GO BUMP IN THE NIGHT
  14. MANEUVERING
  15. BIG SISTER
  16. THE POWER TO SOOTHE
  17. YEAR 1.00
  18. ABOUT TIME
  19. HAPPY NEW YEAR
  20. TORN BETWEEN TWO LOVERS
  21. FROM EACH ACCORDING TO HIS INCLINATIONS
  22. IN THE DEAD VAST AND MIDDLE OF THE NIGHT
  23. OPTIONS
  24. DRIFTING
  25. DIVIDE AND MULTIPLY
  26. DIONYSUS MEETS GODZILLA
  27. 10
  28. DIDN’T SHE RAMBLE?
  29. YEAR 1.33
  30. LONG-RANGE PLANS
  31. NEW BEGINNINGS
  32. UNTIMELY PLUCKED
  33. BLUES
  34. YEAR 1.88
  35. LABOR-SAVING DEVICE
  36. FROM THE CRADLE TO THE GRAVE TO THE CRADLE
  37. A MODEST PROPOSAL
  38. ADVICE TO THE LOVELORN
  39. ONE PART HARMONY
  40. TWO PARTS DISCORD
  41. YEAR 3.21
  42. LEAVINGS
  43. REMEMBRANCE OF THINGS PAST
  44. TRANSLATING
  45. YEAR 5.71
  46. WATERSHED, BLOODSHED
  47. NIGHT OF THE LIVING DEAD
  48. A WOMAN OF DISCRIMINATION
  49. THAT TIME OF YEAR THOU MAYE5T IN ME BEHOLD
  50. CATEGORIES
  51. YEAR 6.26
  52. AULD ACQUAINTANCE
  53. SOWING, REAPING
  54. TEMPERAMENT
  55. BAD SEED
  56. YEAR 8.36
  57. HUSBANDRY
  58. POPULATION EXPLOSION
  59. YEAR 9.88
  60. HOMECOMING
  61. THE BURDENS OF FAITH
  62. YEAR 11.07
  63. GROWING PAINS
  64. LONG-DISTANCE CALL
  65. FOUR NOVELS
  66. AGE 55
  67. IN DREAMS AWAKE
  68. UP TEMPO
  69. JUVENILIA
  70. POOL PARTY
  71. INTERIM REPORT
  72. CHANCES
  73. BE ALL THAT YOU CAN BE
  74. FINAL APPROACH
  75. AGE 56
  76. DAY ZERO
  77. FIRST CONTACT
  78. LETTER ‘HOME
  79. HOUSEKEEPING
  80. AGE 57
  81. SETTLING, UNSETTLING
  82. THE HUNT
  83. FINAL EXAM
  84. AGE 100
  85. Website
  86. Also by Joe Haldeman
  87. Dedication
  88. EPILOGUE
  89. Author Bio
  90. Copyright

“Okay.” I’m not often at a loss for words. You look awfully tired, I should say; why don’t you lock your door and get some rest? Or I’m sorry about all this; I wish it weren’t happening to someone I’ve actively disliked for nearly half my life. “Uh, should I bring John and Dan?”

“No, I’m done with them. You’re my project now.” He made a shooing motion with his hand. “Go on. I have some calls to make.”

I backed out of the room, nodding obediently, into the shelter of the corridor. I didn’t know how to feel or what to think; things had happened too fast. Even if I wanted to like him, to help him, he wasn’t going to let me, and besides, his attitude, his postures, still annoyed the hell out of me, dying or not.

I was tired and rattled, but if I didn’t look at the slide tonight, curiosity would keep me awake. I went over to the commissary and squandered four dollars on a small box of wine to take up to the office.

GRAVE IMAGE

PRIME

Probably out of respect for Berrigan, O’Hara never mentioned viewing the slide; not to me; not to her diary; certainly not to any flesh person other than Harry Purcell. But nothing that went on in her office was secret to me, a detail I never mentioned to her. (She never asked, I think deliberately.)

28 September 2097 [14 Bobrovnikov 290]—O’Hara enters her cubicle and tells the door to lock, then removes the small recorder from her pocket, turns it off, and puts it away. She sets down her purse on the cot and takes out a box of wine. Selects a glass from the cabinet, inspects it, blows into it, and half-fills it with red wine. She sets the glass on her work console, then reseals the box and puts it in the cabinet. She kicks off her shoes, sits in the swivel chair, turns on the console. Out of habit, she keys the message queue, but turns it off without looking at it. She unseals her blouse halfway and blows down it, then stretches, whispers “Shit,” takes the slide out of her pocket, and studies it. She takes a sip of wine, slips the slide out of its protective jacket, and inserts it in the viewer. She swivels to watch the corner where I normally appear to her.

Berrigan is seated, wearing a formal dark blue suit. Her hair is long, so the holo must have been recorded more than two months ago.