Back Worlds Enough and Time
Chapters (90)
  1. Title Page
  2. Enter the SF Gateway …
  3. Contents
  4. Author Note
  5. PROLOGUE: TRANSCRIPT
  6. IDENTITIES
  7. YEAR 0.005
  8. EARTHWATCH
  9. A CHANCE TO DREAM
  10. MEETING OF MINDS
  11. GENESIS AND REVELATION
  12. GRAVE IMAGE
  13. THINGS THAT GO BUMP IN THE NIGHT
  14. MANEUVERING
  15. BIG SISTER
  16. THE POWER TO SOOTHE
  17. YEAR 1.00
  18. ABOUT TIME
  19. HAPPY NEW YEAR
  20. TORN BETWEEN TWO LOVERS
  21. FROM EACH ACCORDING TO HIS INCLINATIONS
  22. IN THE DEAD VAST AND MIDDLE OF THE NIGHT
  23. OPTIONS
  24. DRIFTING
  25. DIVIDE AND MULTIPLY
  26. DIONYSUS MEETS GODZILLA
  27. 10
  28. DIDN’T SHE RAMBLE?
  29. YEAR 1.33
  30. LONG-RANGE PLANS
  31. NEW BEGINNINGS
  32. UNTIMELY PLUCKED
  33. BLUES
  34. YEAR 1.88
  35. LABOR-SAVING DEVICE
  36. FROM THE CRADLE TO THE GRAVE TO THE CRADLE
  37. A MODEST PROPOSAL
  38. ADVICE TO THE LOVELORN
  39. ONE PART HARMONY
  40. TWO PARTS DISCORD
  41. YEAR 3.21
  42. LEAVINGS
  43. REMEMBRANCE OF THINGS PAST
  44. TRANSLATING
  45. YEAR 5.71
  46. WATERSHED, BLOODSHED
  47. NIGHT OF THE LIVING DEAD
  48. A WOMAN OF DISCRIMINATION
  49. THAT TIME OF YEAR THOU MAYE5T IN ME BEHOLD
  50. CATEGORIES
  51. YEAR 6.26
  52. AULD ACQUAINTANCE
  53. SOWING, REAPING
  54. TEMPERAMENT
  55. BAD SEED
  56. YEAR 8.36
  57. HUSBANDRY
  58. POPULATION EXPLOSION
  59. YEAR 9.88
  60. HOMECOMING
  61. THE BURDENS OF FAITH
  62. YEAR 11.07
  63. GROWING PAINS
  64. LONG-DISTANCE CALL
  65. FOUR NOVELS
  66. AGE 55
  67. IN DREAMS AWAKE
  68. UP TEMPO
  69. JUVENILIA
  70. POOL PARTY
  71. INTERIM REPORT
  72. CHANCES
  73. BE ALL THAT YOU CAN BE
  74. FINAL APPROACH
  75. AGE 56
  76. DAY ZERO
  77. FIRST CONTACT
  78. LETTER ‘HOME
  79. HOUSEKEEPING
  80. AGE 57
  81. SETTLING, UNSETTLING
  82. THE HUNT
  83. FINAL EXAM
  84. AGE 100
  85. Website
  86. Also by Joe Haldeman
  87. Dedication
  88. EPILOGUE
  89. Author Bio
  90. Copyright

The theater seats had slips of plastic with names on them. I helped John to his, in the front row, and then went to mine, in the rearmost. There was a definite pattern. Engineers and other grown-ups toward the front. I shared the back row with Tom Smith, Education; Carlos Cruz, Humanities; Janet Sharkey, Fine Arts; and our historian, Sam Wasserman.

I hadn’t seen Sam since Launch. He gave me a shy grin and blush. We’d been lovers for a short intense time a few years ago, although he is exactly young enough to be my son, if I had followed my mother’s example and become pregnant at the gray old age of twelve.

“Lovers” is too strong a word, or too polite a one. When Evy joined the line, which made me feel somewhat plain and middle-aged and dumpy, he was there for me. It was more complicated than that, and still is. I knew he would be at the meeting, but when I saw him I got a nice glow of physical surprise, or physical something. Maybe someday again.

(Prime says that she can keep this diary secure from prying eyes by shunting it over into her own cyberspace. I guess so, since she’s supposedly self-aware, whatever that actually means.

(Do I really care whether Dan or John knows I get a little damp in the jeans, thinking about Sam? I’m not sure. I remember how he tastes, different. Kosher, I guess.)

Once everyone was in the proper place we had to sit still for a minute of camera registration. This was so the archives could properly record our gasps of admiration at Purcell’s inspiring rhetoric. The sparkling wit that used to almost keep us awake in class.

He actually didn’t start out too badly. With a mild joke he apologized for the necessarily ceremonial nature of this first joint meeting, and asked us all to introduce ourselves, for the record, then turned the proceedings over to Eliot.

That did make it interesting since we don’t normally have joint meetings with the Engineering side. I like Eliot anyhow; he stood up for me back when old Casey tried to limit my powers in the demographics part of pre-Launch. He’s also a funny guy.

Most amputees I’ve met opted for realisticlooking waldos (and of course we’ve all met people we couldn’t tell were amputees), but Eliot goes in the opposite direction. His left arm and hand are usually a metal-and-composite skeletal framework with all the bearings and wires exposed, though sometimes he screws in a special-purpose tool. His legs clank against things, and he doesn’t bother to wear shoes over his metal feet.