Back Winter Stars
Chapters (33)
  1. Cover Page
  2. Dedication
  3. Winter Stars
  4. THE POET AT SEVENTEEN
  5. ADOLESCENCE
  6. THE CRY
  7. WINTER STARS
  8. SOUTH
  9. IRISH MUSIC
  10. FAMILY ROMANCE
  11. Elegies
  12. THOUGH HIS NAME IS INFINITE, MY FATHER IS ASLEEP
  13. CHILDHOOD IDEOGRAM
  14. Let Nothing You Dismay
  15. IN THE CITY OF LIGHT
  16. MY STORY IN A LATE STYLE OF FIRE
  17. THERE ARE TWO WORLDS
  18. OKLAHOMA
  19. AFTER THE BLUE NOTE CLOSES
  20. THE QUILT
  21. DECRESCENDO
  22. Puyé
  23. A LETTER
  24. Variations
  25. WHITMAN:
  26. SOME GRASS ALONG A DITCH BANK
  27. TWO VARIATIONS ON A THEME BY KOBAYASHI
  28. THOSE GRAVES IN ROME
  29. Sensationalism
  30. THE ASSIMILATION OF THE GYPSIES
  31. SENSATIONALISM
  32. NOTES
  33. ABOUT THE AUTHOR

My poems, & saw the Ozarks—

Hills full of shifting, tethered mists & a flower

That turned whole meadows white

Against the anxious hint of leaves—& when

Some of my audience walked out because I read a poem

With two obscene words, I was delighted!

For in the North, obscenities are quaint.

That year, I taught one child how to hear

Hexameters in English, & she

Stopped crying about things she could do

Nothing to change. That year,

Because I play no instrument, I met

Many musicians—they spoke to me, mostly,

Of poetry, & I told them

How, if one doesn't have much time, rhyme

And a strong refrain line ought to

Govern everything—especially if one finds himself

In a republic determined to stay young

At any cost. Something new,

I reminded them, would come, even from their fatigue

After closing. Twice, my son

Came to visit me.

And I showed him two caves in Missouri.

Mark Twain, as a child, had played in one of them.

The cave, our tour guide said, was

Over one hundred million years old. My son

Loved it—even though it is lighted,

Now, throughout, & I kept wishing that the cave

Were darker, or that I was younger.

There was nothing I could do

About either, & the blonde girl

Showing it to us knew all her lines

“By heart.” Almost pretty, but she looked as if

Nothing in the world could make her laugh.

She & her children will, I'm sure, inherit this earth.

My son is four, & curious.

That year, I had to explain

My father's death to him, & also

The idea of heaven, & how

One got there, physically, after death. Therefore,

I had to lie for the first time

To my son, & therefore I had to give him up

A little more.

And though my wife & I spoke of reconciliation,

The snows came down with their ancient,

Cruel jokes, & each one

Was just as funny. Just as cruel.

We both felt stronger, after hearing

Them, & I went on

Living in my decaying neighborhood with the finch,

The elm, the spider, & the mouse,

And, if they could speak,

Each one spoke to me of its lowly position,

Its pathetic marriage, its doomed romance, & how

Much it hated the village—

And each one had different problems, different desires!

That year, the moon looked, each dawn,

Like a jilted suitor, a boy with an ashen face,

Sitting alone in the pool hall.

My neighbors & the townspeople avoided me,

But with the respect or courtesy

One shows for something

Misunderstood, passing, perhaps dangerous

To the education of their children—

But still a fact, like the woods sloping down

Behind an abandoned row of houses

Condemned by the new highway commissioner: bird calls,

The gray smoke of a tramp's fire,

A place where the fox we surprised, once, moved

Too quickly for human description,

And too quietly.

*

“…No,

That year, I wore black,

And a headband flecked with crimson & meant

To terrify anyone in a gang of youths