Chapters (33)
- Cover Page
- Dedication
- Winter Stars
- THE POET AT SEVENTEEN
- ADOLESCENCE
- THE CRY
- WINTER STARS
- SOUTH
- IRISH MUSIC
- FAMILY ROMANCE
- Elegies
- THOUGH HIS NAME IS INFINITE, MY FATHER IS ASLEEP
- CHILDHOOD IDEOGRAM
- Let Nothing You Dismay
- IN THE CITY OF LIGHT
- MY STORY IN A LATE STYLE OF FIRE
- THERE ARE TWO WORLDS
- OKLAHOMA
- AFTER THE BLUE NOTE CLOSES
- THE QUILT
- DECRESCENDO
- Puyé
- A LETTER
- Variations
- WHITMAN:
- SOME GRASS ALONG A DITCH BANK
- TWO VARIATIONS ON A THEME BY KOBAYASHI
- THOSE GRAVES IN ROME
- Sensationalism
- THE ASSIMILATION OF THE GYPSIES
- SENSATIONALISM
- NOTES
- ABOUT THE AUTHOR
My poems, & saw the Ozarks—
Hills full of shifting, tethered mists & a flower
That turned whole meadows white
Against the anxious hint of leaves—& when
Some of my audience walked out because I read a poem
With two obscene words, I was delighted!
For in the North, obscenities are quaint.
That year, I taught one child how to hear
Hexameters in English, & she
Stopped crying about things she could do
Nothing to change. That year,
Because I play no instrument, I met
Many musicians—they spoke to me, mostly,
Of poetry, & I told them
How, if one doesn't have much time, rhyme
And a strong refrain line ought to
Govern everything—especially if one finds himself
In a republic determined to stay young
At any cost. Something new,
I reminded them, would come, even from their fatigue
After closing. Twice, my son
Came to visit me.
And I showed him two caves in Missouri.
Mark Twain, as a child, had played in one of them.
The cave, our tour guide said, was
Over one hundred million years old. My son
Loved it—even though it is lighted,
Now, throughout, & I kept wishing that the cave
Were darker, or that I was younger.
There was nothing I could do
About either, & the blonde girl
Showing it to us knew all her lines
“By heart.” Almost pretty, but she looked as if
Nothing in the world could make her laugh.
She & her children will, I'm sure, inherit this earth.
My son is four, & curious.
That year, I had to explain
My father's death to him, & also
The idea of heaven, & how
One got there, physically, after death. Therefore,
I had to lie for the first time
To my son, & therefore I had to give him up
A little more.
And though my wife & I spoke of reconciliation,
The snows came down with their ancient,
Cruel jokes, & each one
Was just as funny. Just as cruel.
We both felt stronger, after hearing
Them, & I went on
Living in my decaying neighborhood with the finch,
The elm, the spider, & the mouse,
And, if they could speak,
Each one spoke to me of its lowly position,
Its pathetic marriage, its doomed romance, & how
Much it hated the village—
And each one had different problems, different desires!
That year, the moon looked, each dawn,
Like a jilted suitor, a boy with an ashen face,
Sitting alone in the pool hall.
My neighbors & the townspeople avoided me,
But with the respect or courtesy
One shows for something
Misunderstood, passing, perhaps dangerous
To the education of their children—
But still a fact, like the woods sloping down
Behind an abandoned row of houses
Condemned by the new highway commissioner: bird calls,
The gray smoke of a tramp's fire,
A place where the fox we surprised, once, moved
Too quickly for human description,
And too quietly.
*
“…No,
That year, I wore black,
And a headband flecked with crimson & meant
To terrify anyone in a gang of youths