Chapters (33)
- Cover Page
- Dedication
- Winter Stars
- THE POET AT SEVENTEEN
- ADOLESCENCE
- THE CRY
- WINTER STARS
- SOUTH
- IRISH MUSIC
- FAMILY ROMANCE
- Elegies
- THOUGH HIS NAME IS INFINITE, MY FATHER IS ASLEEP
- CHILDHOOD IDEOGRAM
- Let Nothing You Dismay
- IN THE CITY OF LIGHT
- MY STORY IN A LATE STYLE OF FIRE
- THERE ARE TWO WORLDS
- OKLAHOMA
- AFTER THE BLUE NOTE CLOSES
- THE QUILT
- DECRESCENDO
- Puyé
- A LETTER
- Variations
- WHITMAN:
- SOME GRASS ALONG A DITCH BANK
- TWO VARIATIONS ON A THEME BY KOBAYASHI
- THOSE GRAVES IN ROME
- Sensationalism
- THE ASSIMILATION OF THE GYPSIES
- SENSATIONALISM
- NOTES
- ABOUT THE AUTHOR
At night, I walked through the lit streets
Of New York, from the Gramercy Park Hotel
Up Lexington & at that hour, alone,
I stopped hearing traffic, voices, the racket
Of spring wind lifting a newspaper high
Above the lights. The streets wet,
And shining. No sounds. Once,
When I saw my son be born, I thought
How loud this world must be to him, how final.
That night, out of respect for someone missing,
I stopped listening to it.
Out of respect for someone missing,
I have to say
This isn't the whole story.
The fact is, I was still in love.
My father died, & I was still in love. I know
It's in bad taste to say it quite this way. Tell me,
How would you say it?
The story goes: wanting to be alone & wanting
The easy loneliness of travelers,
I said good-bye in an airport & flew west.
It happened otherwise.
And where I'd held her close to me,
My skin felt raw, & flayed.
Descending, I looked down at light lacquering fields
Of pale vines, & small towns, each
With a water tower; then the shadows of wings;
Then nothing.
My only advice is not to go away.
Or, go away. Most
Of my decisions have been wrong.
When I wake, I lift cold water
To my face. I close my eyes.
A body wishes to be held, & held, & what
Can you do about that?
Because there are faces I might never see again,
There are two things I want to remember
About light, & what it does to us.
Her bright, green eyes at an airport—how they widened
As if in disbelief;
And my father opening the gate: a lit, & silent
City.
MY STORY IN A LATE STYLE OF FIRE
Whenever I listen to Billie Holiday, I am reminded
That I, too, was once banished from New York City.
Not because of drugs or because I was interesting enough
For any wan, overworked patrolman to worry about—
His expression usually a great, gauzy spiderweb of bewilderment
Over his face—I was banished from New York City by a woman.
Sometimes, after we had stopped laughing, I would look
At her & see a cold note of sorrow or puzzlement go
Over her face as if someone else were there, behind it,
Not laughing at all. We were, I think, “in love.” No, I'm sure.
If my house burned down tomorrow morning, & if I & my wife
And son stood looking on at the flames, & if, then,
Someone stepped out of the crowd of bystanders
And said to me: “Didn't you once know…?” No. But if
One of the flames, rising up in the scherzo of fire, turned
All the windows blank with light, & if that flame could speak,
And if it said to me: “You loved her, didn't you?” I'd answer,
Hands in my pockets, “Yes.” And then I'd let fire & misfortune
Overwhelm my life. Sometimes, remembering those days,