Chapters (33)
- Cover Page
- Dedication
- Winter Stars
- THE POET AT SEVENTEEN
- ADOLESCENCE
- THE CRY
- WINTER STARS
- SOUTH
- IRISH MUSIC
- FAMILY ROMANCE
- Elegies
- THOUGH HIS NAME IS INFINITE, MY FATHER IS ASLEEP
- CHILDHOOD IDEOGRAM
- Let Nothing You Dismay
- IN THE CITY OF LIGHT
- MY STORY IN A LATE STYLE OF FIRE
- THERE ARE TWO WORLDS
- OKLAHOMA
- AFTER THE BLUE NOTE CLOSES
- THE QUILT
- DECRESCENDO
- Puyé
- A LETTER
- Variations
- WHITMAN:
- SOME GRASS ALONG A DITCH BANK
- TWO VARIATIONS ON A THEME BY KOBAYASHI
- THOSE GRAVES IN ROME
- Sensationalism
- THE ASSIMILATION OF THE GYPSIES
- SENSATIONALISM
- NOTES
- ABOUT THE AUTHOR
I have seen enough dust & wind by now to know
I am a little breath that always goes the distance
Longing requires, & to know even this will fail.
The truth is, dear friends, we fall apart;
And for mysterious reasons, not entirely clear to us,
We choose to live alone. The truth is,
We do not choose, & do not fall apart. But are apart. She
Dresses in the dark of a New Year, &, if she had been born a Catholic,
She might cross herself. But she is not a Catholic.
To clothe the temple of the soul, & that music
When the last bell on the toe of the dancer stops,
She puts on a gray silk dress, a fur coat.
It is snowing in Iowa City.
In the Old World, there was always another season.
The unpicked fruit about to fall. Nursing,
The painful suckling of infants by new mothers,
And an unchecked laughter from the workingmen's bar
Among long closed streets of wharves & warehouses
With a quiet as old as habit, or the worn sky
Over all the sleeping Bibles. I suppose it was simply
Smug, & male.
*
I rise, & put on my precisely faded jeans, a black Hawaiian shirt
With ridiculous light yellow roses; & sharp-toed
Cowboy boots.
Style, after all, is a kind of humor,
Something truly beneath contempt,
Even here, on the Southern Plains, in Oklahoma City.
Though something, beneath the armor we put on,
Is always missing, the trouble with this wind
Is that it drives the land away: These raw cuts
In the red dirt of the roadside almost speak for themselves.
Are they painful? They look as if they once were.
Someday, see for yourself, & take care when you
Do so. Look closely, but take care.
And put your arms around each other's waists so you don't
Slip through to anything truer
Than you meant to be.
The earth, for example, has often been a lie,
And the wind its rumor.
Together once, they drove all
The better people away.
AFTER THE BLUE NOTE CLOSES
Tonight, holding a stranger in my arms—
Suddenly a downpour, a late
Summer storm. I thought of you, alone or
Not alone in that distant city,
And at that hour when the punk musicians' bars,
And the carpeted bars,
With their well-coiffed, careful clientele,
Are closing—
Those strangers pairing off at last & each desiring
What little mercy the other can
Afford. That
Wasted breath of neon light a frail
Tattoo or come-on in pools
Of rain. That street. That rain.
No. Our street. Our rain. Holding her, not you,
I watched it finally
Empty, watched until the streaked,
Reddening light of dawn came back & touched
The quiet brick of empty dance halls, touched,
Behind blackened tavern windows, a girl's cast off
Blouse; touched even the pocked faces of musicians on
The posters there: Gun Club; Millions
Of Dead Cops—almost as if dawn light could
Hold all things, each piece
Of shattered glass, as if to somehow bless them,