Chapters (33)
- Cover Page
- Dedication
- Winter Stars
- THE POET AT SEVENTEEN
- ADOLESCENCE
- THE CRY
- WINTER STARS
- SOUTH
- IRISH MUSIC
- FAMILY ROMANCE
- Elegies
- THOUGH HIS NAME IS INFINITE, MY FATHER IS ASLEEP
- CHILDHOOD IDEOGRAM
- Let Nothing You Dismay
- IN THE CITY OF LIGHT
- MY STORY IN A LATE STYLE OF FIRE
- THERE ARE TWO WORLDS
- OKLAHOMA
- AFTER THE BLUE NOTE CLOSES
- THE QUILT
- DECRESCENDO
- Puyé
- A LETTER
- Variations
- WHITMAN:
- SOME GRASS ALONG A DITCH BANK
- TWO VARIATIONS ON A THEME BY KOBAYASHI
- THOSE GRAVES IN ROME
- Sensationalism
- THE ASSIMILATION OF THE GYPSIES
- SENSATIONALISM
- NOTES
- ABOUT THE AUTHOR
Because if we never looked back we might acquire
The true indifference of the soul as it travels,
As if on foot,
Over rocks, roots, stream beds, through
The smoke of distant cities,
Until it feels as if it is floating—
A still place in the body
That does not move,
Though we do.
*
Today, I talked to those men in the boat who
Saved the two teenagers, who
Unload off the pier there, in Rock Island, Illinois,
And who live on those barges.
Already two of the youngest of them have one
Or two fingers missing.
I finally overcame my shyness enough
To ask them, & understood at once,
When they told me
About unloading
At night—how you can hear almost nothing
As the barge draws closer & closer
To the dock, & how, often, the one light required
By state law is burned out there, & how,
Out of tiredness, you might curl your hands,
Unconsciously, & out of habit, over the gunwales
Of the boat, just as
The older men had cautioned you not to,
And then you can almost hear, over the slipping
Of water, the soft, hollow thunk
Of wood on wood. That is,
You might hear it if it weren't for the pain
At that moment—how it erases almost everything else
In your life, & all sounds, until
You know you will have this one life, this river,
As long as you live—
If only
Because no one else will hire you now.
I talked to them a long time. At a certain hour
Of night, you can hear the precise fall of every
Syllable, you can hear the slipping of water,
And you think you know why the lights
On the opposite shore
Are silent, have always been silent,
And why the Peabody coal mines in this part
Of the state are all
Boarded up by now.
And no. No one, his pick or hammer fallen to one side
Like a world, is left down there.
No one. Unless he wears an eternal smile on his face,
Which is a betrayal of all other smiles.
I don't want to believe he is real, if only
Because teenagers swim nude in the quarries
Above those mines.
And yet, now that I mention him,
I think it is only right that he is there,
Somehow, & that the mines are closed.
I would like to believe
That his grin might say how much the body
Misses its only abiding guest,
Or that the eye holes in every skull
Are merely cliff dwellings abandoned for higher, &
More lasting residences;
Or that it matters, being half French
And a descendant of certain hard-headed horse traders,
Drunks, gamblers, & women with lace camisoles
Who would as soon cut
Your throat as look at you,
And who, out of some obscure gentleness,
Decided only to stare out,
Finally, from a photograph,
As if in a kind of defiance, or bewilderment.
I wish I knew,
Though, at a certain hour