Back Winter in Eden
Chapters (56)
  1. PROLOGUE: KERRICK
  2. Title Page
  3. CHAPTER ONE
  4. CHAPTER TWO
  5. CHAPTER THREE
  6. CHAPTER FOUR
  7. CHAPTER FIVE
  8. CHAPTER SIX
  9. CHAPTER SEVEN
  10. CHAPTER EIGHT
  11. CHAPTER NINE
  12. CHAPTER TEN
  13. CHAPTER ELEVEN
  14. CHAPTER TWELVE
  15. CHAPTER THIRTEEN
  16. CHAPTER FOURTEEN
  17. CHAPTER FIFTEEN
  18. CHAPTER SIXTEEN
  19. CHAPTER SEVENTEEN
  20. CHAPTER EIGHTEEN
  21. CHAPTER NINETEEN
  22. CHAPTER TWENTY
  23. CHAPTER TWENTY-ONE
  24. CHAPTER TWENTY-TWO
  25. CHAPTER TWENTY-THREE
  26. CHAPTER TWENTY-FOUR
  27. CHAPTER TWENTY-FIVE
  28. CHAPTER TWENTY-SIX
  29. CHAPTER TWENTY-SEVEN
  30. CHAPTER TWENTY-EIGHT
  31. CHAPTER TWENTY-NINE
  32. CHAPTER THIRTY
  33. CHAPTER THIRTY-ONE
  34. CHAPTER THIRTY-TWO
  35. CHAPTER THIRTY-THREE
  36. CHAPTER THIRTY-FOUR
  37. CHAPTER THIRTY-FIVE
  38. CHAPTER THIRTY-SIX
  39. CHAPTER THIRTY-SEVEN
  40. CHAPTER THIRTY-EIGHT
  41. CHAPTER THIRTY-NINE
  42. CHAPTER FORTY
  43. CHAPTER FORTY-ONE
  44. CHAPTER FORTY-TWO
  45. CHAPTER FORTY-THREE
  46. CHAPTER FORTY-FOUR
  47. CHAPTER FORTY-FIVE
  48. THE WORLDWEST OF EDEN
  49. THE YILANÈ
  50. THE TANU
  51. THE PARAMUTAN
  52. DICTIONARIES
  53. ZOOLOGY
  54. ACKNOWLEDGMENTS
  55. ABOUT THE AUTHOR
  56. About this Title

“Alipol worked with his thumbs to make things of great beauty. Do you know of them?”

“We all know of them,” Imehei broke in. “After all—we are not rough/crude/strong and female. We know of beauty.” He turned as soon as he had finished speaking and pulled some of the ornate drapes aside to disclose an opening in the wall. Standing on claw-tip he reached up and took out the wire sculpture, turned and held it out to Kerrick.

A nenitesk—perhaps the very one that Alipol had showed to him on that distant, warm day. The carapace curled high, the three horns sharp and pointed, the eyes gleaming jewels. Imehei held it out proudly and Kerrick took it, turned it so that it caught the light. He felt the same joy that he had felt when Alipol had first revealed his sculpture. There was unhappiness along with the joy—for Alipol was long dead. Sent to certain death on the beach by Stallan. Well, she was dead as well; there was some satisfaction in that.

“I will take this,” Kerrick said—then saw their horrified gestures. Imehei was even bold enough to add a suggestion of femaleness to the movements. Kerrick understood. They had accepted him as a male, all the city knew of his maleness and had marveled, but he was now acting brutally female. He tried to make amends.

“Misinterpretation of intent. I want to take this thing of beauty but it must remain here in the hanalè where Alipol meant it to be. The esekasak who cared for the hanalè is gone so now the responsibility is yours. Guard it and keep it from harm.”

They could not conceal their thoughts, made no attempt to. Hidden away, deprived of responsibility, treated like fargi speechless and fresh from the ocean—how could they be anything but what they were? Now they took in the new thought, recoiled from it, then accepted it, then showed pride. When Kerrick saw this he began to have some understanding why they had to be kept alive. Not only for their own sakes—but for his. For his own selfish reasons. He was Tanu—but was Yilanè as well. With these males he could face that fact, not flee from it nor feel ashamed of it. When he talked with them his thoughts came to life, those parts of his thinking that were Yilanè. Not only thinking, being.

He was what he was: Kerrick of the Tanu; Kerrick of the Yilanè.

“You have water—I will bring more food. Do not leave this chamber.”

They signed agreement and acceptance of instructions. With the private expressions of male-to-male. He smiled at their subtle strength. A single suggestion that he had been acting like a female had put him quickly in his place. He was beginning to like them as he understood some of what lay beneath their complaisant exteriors.