Back Widdershins
Chapters (87)
  1. Cover
  2. Widdershins
  3. Author’s Note
  4. The Dispute at the Crossroads
  5. Lizzie Mahone
  6. Geordie Riddell
  7. Galfreya
  8. Jilly Coppercorn
  9. Hand Me Down My Fiddle
  10. Lizzie
  11. Geordie
  12. Lizzie
  13. Jilly
  14. Edgan
  15. Geordie
  16. Grey
  17. Jilly
  18. Bogan Boys
  19. Geordie
  20. Lizzie
  21. Bogan Boys
  22. The Hard Road to Travel
  23. Jilly
  24. Grey
  25. Geordie
  26. Lizzie
  27. Grey
  28. Jilly
  29. Rabedy Collins
  30. Geordie
  31. Grey
  32. Jilly
  33. Big Dan
  34. Honey
  35. Geordie
  36. Grey
  37. Jilly
  38. Lizzie
  39. Rabedy
  40. Geordie
  41. Timony Twotot
  42. Honey
  43. Joseph Crazy Dog
  44. Cassandra Washington
  45. Christiana Tree
  46. Galfreya
  47. Rabedy
  48. Grey
  49. Whiskey Jack
  50. Far from Home
  51. Lizzie
  52. Geordie
  53. Honey
  54. Grey
  55. Christiana
  56. Jilly
  57. Rabedy
  58. Timony
  59. Walker
  60. Joe
  61. Jilly
  62. Galfreya
  63. Grey
  64. Jilly
  65. Lizzie
  66. Geordie
  67. Joe
  68. Grey
  69. Jilly
  70. Joe
  71. Jilly
  72. Joe
  73. Geordie
  74. Rabedy
  75. Jilly
  76. Joe
  77. Jilly
  78. Joe
  79. Jilly
  80. Farewell and Remember Me
  81. Geordie
  82. Lizzie
  83. Joe
  84. Grey
  85. Lizzie
  86. Jilly
  87. Grey

Then he steps up and delivers a sucker punch in the kidney to the fairy who’s got a hold of Joe. When the fairy drops Joe’s arm, Jack grabs him in a neck hold that brings the fairy to his knees and keeps him there.

“Get the little ones,” he tells me, as Mother Crone’s two treekin start for Joe.

I grab each of them by the nape of the neck and hold them at arm’s length with their legs dangling. They struggle in my grip, but they’re not going anywhere.

“I figure we’ve got ten, maybe fifteen seconds before all hell breaks loose,” Jack tells Joe, “so you might want to speed up your conversation there.”

“This isn’t helping anything,” Mother Crone starts.

Joe cuts her off. “You don’t understand. We don’t play by your rules. We don’t go around pretending to be human and tying up our lives with all this pretentious crap about courts and procedures and diplomatic conventions. Mess with us, and all you do is bring hurt down on yourself. Now, tell me what you know.”

But we don’t get the ten or fifteen seconds Jack thought we might. I don’t know if Mother Crone was going to go all martyr on us, or break down and talk, but right about then the door bangs open and we’re looking at a half-dozen guards, bows in hand, arrows nocked and aimed at us.

Jack lifts his captive and holds the fairy in front of himself like a shield. I do the same with the squirming treekin I’ve got in either hand. Joe grabs Mother Crone’s arm, and slips around her, twisting her arm behind her back to put her between himself and the guards.

“You better hope you kill me with your first shot,” Jack tells the guards, “because you’re not getting a second.”

“What is the meaning of this?” a regal voice demands from behind the guards.

They never shift their aim, they never look away from us, but the guards move slightly aside so that the owner of that voice can step into the room. I’m guessing this is Tatiana. She might be standing there in jeans and a blouse, tawny hair pulled back in a casual ponytail, but she’s got the air of someone who doesn’t just expect her every command to be obeyed. She can’t even see how it could ever be otherwise.

Behind her I can see the hall filling with more guards.

I figure we’ve got seconds to shift into the between. I consider which guards I’ll throw the treekin at. That’s saying Joe doesn’t want to stay and fight. I give him a glance and see that those eyes of his are just filled right up with a crazy, feral light and realize we’re not going anywhere.