Chapters (21)
- Cover
- Foreword: Writers Are Weird
- The Peacock’s Shadow – E. Hoffman Price
- The White Lady of the Orphanage
- The Terrible Old Man
- The Woman of the Wood
- Bat’s Belfry – August W. Derleth
- The Curse of Everard Maundy
- The Tomb
- Saladin’s Throne-Rug – E. Hoffmann Price
- The Dog-Eared God – Frank Belknap Long, Jr.
- The City of Spiders – H. Warner Munn
- The Cats of Ulthar
- Back to the Beast – Manley Wade Wellman
- A Suitor from the Shades – Greye La Spina
- Pickman’s Model – H.P. Lovecraft
- The Atomic Conquerors
- Original Publication Information
- About the Editors
- If You Liked…
- WordFire Classics
There was a brilliant moon. Clare, gazing out into the garden, thought she had never seen it as strange as it seemed that night. It was a mysterious dreamland, not the garden she knew. It was full of unexpected patches of light that changed shape imperceptibly as the moon swam upward across the sky, and against these light spots, outlining them abruptly, were massively upreared structures of ebony-black shadow. The garden she thought she knew so well was like an unknown, entirely new country and one that, oddly enough, seemed to hold a dark threat in those ominous shadows that crept upon and engulfed the moonlit spots that relieved its blackness.
A slow shudder crept over the slight figure of the lame girl, who leaned back instinctively against the curtain and toward the soft and homely light of the tall lamp beneath which sat her father and his old friend at their game of chess. Still her gaze was held by the garden in its new aspect.
Out of the black shadows a figure advanced into a moonlit space, and like some goddess of the night lifted slim arms to her sister queen floating in her cloud chariot overhead. Out upon the hush of the night floated the rich notes Clare so adored. “Ah,” she murmured with a kind of relief in her voice, “Margaret is going to sing.”
The song was Ned Wentworth’s Ode to the Queen of Night. It was the favorite lyric in Ned’s last musical comedy, then crowding one of New York’s best theaters night after night, incidentally filling Ned’s pockets with gold. Clare closed her eyes that the velvet tones might have their full effect upon her entranced senses.
At the other end of the room, the chess players stopped their game to listen, the chess board carefully balanced across their old knees. Father Rooney characteristically lifted his kindly eyes heavenward, although his physical gaze was limited by the low ceiling; the old doctor’s eyes went straight to the great portrait that hung over the divan, the portrait of his dead wife.
For Clare the evil spell lying upon the garden was broken. The strange enchantment with its vague threat passed away at the thrill of that dear voice. As the tones died away on a lingering high note, she turned her face upon her sister and opened her eyes. Margaret was apparently all alone in the still night and the lonely garden. The chess players had resumed their game; the lame girl could hear their occasional low murmurs.
“Where can Ned be?” she questioned as she gazed.