Back Villager
Chapters (22)
  1. Cover
  2. BY THE SAME AUTHOR
  3. Title
  4. Dedication
  5. CONTENTS
  6. Map of Underhill
  7. ME (NOW)
  8. GROUND UNDER REPAIR (1990)
  9. DRIFTWOOD (1968)
  10. STOPCOCK (2019)
  11. ME (NOW)
  12. PAPPS WEDGE (2043)
  13. ME (NOW)
  14. MESSAGE BOARD (2012)
  15. REPORT OF DEBRIS (2014)
  16. BILLYWITCH (1932)
  17. SEARCH ENGINE (2099)
  18. EPILOGUEME (NOW)
  19. Acknowledgements
  20. A Note on the Author
  21. Supporters
  22. Copyright

But it is not all folklore and bygone insular sword death. We have a post office! Jim Swardesley, the postmaster, is forty-five. He has his moods, like all of us. The dome of his head is entirely bald, but he says it’s been that way since he was twenty-two. His theory is that it was the result of a rugby squad induction ritual in his university days, where he was required to shave his entire scalp with an old, rusty razor and no shaving foam, from which his follicles never recovered. Now a resident of the village for over a decade, Jim’s arrival, with his young family, was part of the first wave of incomers to Underhill from more urban areas in the centre of the country: an influx that never fully took off as some expected and dreaded it would, and still happens in fits and starts, usually as a result of people finding that more fashionable villages nearby have become too expensive. Jim is now entrenched enough in local life to be slightly resistant to outsiders himself, if only for their repeated failure to queue for grocery products at the appropriate counter, despite his many handwritten signs encouraging them to. Two doors down from the post office is the granite cottage where Joyce painted her painting. The rusty wagon wheel that her predecessor dragged down the hill off the moor and into the garden is still there. Her deep red front door isn’t, replaced long ago by some now off-white UPVC. It is good that she can’t see this. There is a profusion of gravel that would be alien to her. The sports utility vehicle perched upon it would seem to her too big for any practical purpose, incongruous beside the building it belongs to.

Information comes back to me in isolated flurries, like cherry blossom on a strong breeze in spring, and then it’s gone if I don’t reach out and grab quickly, and grab well. You can never grab much. There’s only so much you can know at one time, even if you’re me; only so much room to store it. There’s so much to know. It will never end, I suspect, even when it does. So much in all these lives, so many stories, even in this small place. And I try to keep abreast of the universe beyond it too, if I can. I’m broad and cosmopolitan, despite what many assume.