Back Villager Save as PDF
Chapters (22)
  1. Cover
  2. BY THE SAME AUTHOR
  3. Title
  4. Dedication
  5. CONTENTS
  6. Map of Underhill
  7. ME (NOW)
  8. GROUND UNDER REPAIR (1990)
  9. DRIFTWOOD (1968)
  10. STOPCOCK (2019)
  11. ME (NOW)
  12. PAPPS WEDGE (2043)
  13. ME (NOW)
  14. MESSAGE BOARD (2012)
  15. REPORT OF DEBRIS (2014)
  16. BILLYWITCH (1932)
  17. SEARCH ENGINE (2099)
  18. EPILOGUEME (NOW)
  19. Acknowledgements
  20. A Note on the Author
  21. Supporters
  22. Copyright

But I am remembering a little now, from the day she began to paint the painting. I was not feeling fully at my best that day. Some men and their dogs had raced across part of me and ripped an innocent animal into many pieces and the pieces were stuck to me. The rain would not come and wash the pieces off for a while. It was a few years into the era when I first felt new chemicals soaking into me, changing everything. Yet over there was a meadow: corncockle, poppies, yellow rattle. I’d rarely seen so many butterflies in my life. I was confused. I felt I could go either way, emotionally. One of my wicked episodes could easily have happened. They have to happen, sometimes. It’s part of the balance. But in this instance I chose purity; namely, the quest to witness some of it. While I searched for the purity, a stallion and a mare began to mate on my back and I told them to piss off but then apologised, admitted that it was unfair of me, and assured them they were not the ultimate cause of my irritation.

She was in her kitchen, rescuing a moth from a spider’s web. (It died two minutes later but it’s the thought that counts.) Jazz was playing. That was not a surprise. The type of jazz, though, was. Definitely not grandma jazz, this. Not even 1950s hip grandma jazz. Modal. Louche. A little threatening. The back window was open, which, from where her easel was placed, gave her a good view of the tor and the rocks piled on top of it like a little crude stepstool to nowhere. The breeze was gently blowing in, flapping the net curtains, and a very old grey cat – a satchel of sharp bones, with some fur stuck to them in some places – snoozed on the table, next to a punnet of five strawberries that were on the turn. Joyce flailed a wrist, as if loosening up in preparation for an impressive bit of spin bowling, and in one final move, to achieve a state of ultimate looseness before she began, she lifted her blouse over her head and threw it flamboyantly to the floor. I got a bit shy then (I do!) before watching her go into her artistic trance. I’d never seen anybody paint my portrait before and I was very flattered. She had a glass of wine afterwards, and I can’t remember the last time I’ve wanted to join anyone in that particular activity so much. You’d have to go right back to… Actually, I’m not even going to tell you. Blissful scene to watch, though, even if you couldn’t be a part of it yourself. Oh, Joyce. How could you go from a day as carefree and wild as this to the retirement scene in Torquaydos, in less than a decade?