Back Umbertina
Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

Umbertina’s determination to leave a world of oppression, deprivation, and hopelessness leads her to accept willingly and without hesitation marriage to a much older husband, whom she does not love romantically but grows to respect and care for as the trusted companion of her life. Yet after his death, Serafino is the one commemorated for the family’s economic success, while Umbertina is only mentioned as his “good companion” (128). She is not even a partner in the enterprise of Serafino Longobardi & Sons, which she has so single-handedly masterminded. The illiterate Umbertina starts out by selling freshly made panini and pizza for her husband’s co-workers, keeping “the men’s orders in her mind” thanks to her “great powers of concentration and a memory that took the place of reading and writing” (94). Encouraged by the profits her hard work reaps, she opens a spaccio—a space—in a storefront (95). After leasing a piece of farmland to grow her own provisions and purchasing a horse and wagon, Umbertina shrewdly transforms the spaccio into the Longobardi groceria, and later creates an importing business, a steamship agency, and a bank: she manages to build an economic security that protects her family even from the devastation of the Depression. Barolini’s character thus follows a rags-to-riches journey, fulfilling—to all appearances, at least—the so-called American Dream.