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Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

“Oh, what does that mean?” she said, laughing at him. “You and your beret! What are they going to think of you in Lavenham?”

“That I am a distinguished foreign author and you are my secretary. And since I compose also at night—better at night—you must share my room with me.”

But in the room, which she thought charming, he looked around disconsolately and said, “What a place. Did you bring any cigarettes?”

“Why don’t we go for a walk and see the church and then we can get some cigarettes.”

“Why don’t we just stay here and think about the walk and imagine the place; I’m sure it’s better that way.”

“You always think things are better in your thoughts than they are in reality!”

“And you?”

“Of course not, or I’d turn into a cynic like you, and one of us has to stay cheerful.” As she said it, the thought came: Love should be better than it is.

“Do you know me?” He had an arrogant air, as if daring her. Cold, intellectual Gillo, whose very egoism made him exciting and desirable to her. He was never concerned with what he did or said to hurt her, but very much with hearing what he was. “Why am I so?” he’d ask Marguerite intensely, fascinated by himself as she and others saw him. It was in those moments he was closest to her.

“Yes, a little,” she answered.

“Then you know I’m only a buffoon.”

“You’d like to be.”

“Then if I’m not even that, I’m nothing. And that suits me best.”

She loved him in Lavenham. Sometimes as they lay together he’d say lines of poetry in Italian. These she sometimes understood. But not when he talked at length in his language.

“What do you say, Gillo, when you speak in Italian? Tell me.”

“I am just missing a part of my country, that part that is sun and light and of which this miserable England knows nothing.”

“I wish I knew your country; it is mine, too, in a way.”

“We shall see it together when this course is finished.”

“Italy!”

“Sun and light—for me it is essential. I cannot live without them. But not only in the real, physical sense. In the metaphysical sense, too. Now I am in exile, in this country of damnation where they say it is summer, but how can you tell? Italy, no . . . Italy is sun and light.”

In Italy I will love him better and he will love me, she thought. It would be her homecoming, as it was his. It was his promise to her of an opening toward light, of an Italy that was no longer the shady, misunderstood one of her childhood. After Lavenham, Italy was waiting for them both.

22. Chapter Thirteen

Chapter Thirteen