Back Umbertina Save as PDF
Chapters (47)
  1. 1. Cover Page
  2. 2. Title Page
  3. 4. Author’s Note
  4. 5. Dedication
  5. 7. Prologue
  6. 8. Part One: Umbertina 1860 - 1940
  7. 9. Chapter One
  8. 10. Chapter Two
  9. 11. Chapter Three
  10. 12. Chapter Four
  11. 13. Chapter Five
  12. 14. Chapter Six
  13. 15. Chapter Seven
  14. 16. Chapter Eight
  15. 17. Chapter Nine
  16. 18. Chapter Ten
  17. 19. Part Two: Marguerite 1927 – 1973
  18. 20. Chapter Eleven
  19. 21. Chapter Twelve
  20. 22. Chapter Thirteen
  21. 23. Chapter Fourteen
  22. 24. Chapter Fifteen
  23. 25. Chapter Sixteen
  24. 26. Chapter Seventeen
  25. 27. Chapter Eighteen
  26. 28. Chapter Nineteen
  27. 29. Chapter Twenty
  28. 30. Chapter Twenty-One
  29. 31. Chapter Twenty-Two
  30. 32. Chapter Twenty-Three
  31. 33. Part Three: Tina 1950 –
  32. 34. Chapter Twenty-Four
  33. 35. Chapter Twenty-Five
  34. 36. Chapter Twenty-Six
  35. 37. Chapter Twenty-Seven
  36. 38. Chapter Twenty-Eight
  37. 39. Chapter Twenty-Nine
  38. 40. Chapter Thirty
  39. 41. Chapter Thirty-One
  40. 42. Chapter Thirty-Two
  41. 43. Chapter Thirty-Three
  42. 44. Chapter Thirty-Four
  43. 45. Chapter Thirty-Five
  44. 46. Afterword
  45. 48. About the Author
  46. 49. About the Feminist Press
  47. 50. Also Available from the Feminist Press

But all Italians were. They darted effortlessly from subject to subject like gorgeous butterflies glittering with wit and daring paradox, never staying long enough to be challenged and caught by the slower, deeper thinkers. . . . What a beautiful, quick people, Marguerite reflected. I am not: I am ponderous. I have not the retort quick, the blandishment supreme, the aphorism ready. They leap around like graceful hares and I am the slow tortuous turtle who will get there eventually but with no class, no performance, no verve. I haven’t the nerve, nor the skill, to make their mistakes. But maybe I’ll learn.

Marguerite wondered if, as Alberto’s wife, holding superb dinners for his friends, she could ever be so brilliant. She tried to think of herself as a handsome, arrogant woman taunting young men and bowing ironically to their exclamations of delight. She would hold salons and wear impeccably made black gowns with a single great jewel. She would be a poet’s wife, Lesbia Purissima, bearing in fierce pride and dignity the pains of her unhappy past.

Tomorrow, she thought, there’s Don Giovanni. In the spring I’ll see Sirmione. It won’t be bad, not bad at all.

All that had led up to the declaration on the temporary bridge across the Arno that windy February night when Alberto proposed to her. She had been prepared.

“I have been in despair,” he told her on the bridge. “I have seen my family disappear and my friends die in the war. I have felt alone in the world. And then you came like an unexpected gift into my life when I had given up all hope of finding the woman I could love and with whom I could start a new family, new hope. What you have told me about your life proves nothing more than what I knew from the beginning—you are pure, limpid, and serene. You have not only sensibility and freshness, you have a deep innocence that can’t be touched by any Gillo. The rest of what makes a woman, maturity, you will learn through marriage, as I will learn—or try to—your American optimism.”

It couldn’t be wrong if he needed her, too, she thought.

When she wrote home of her plans, her parents wrote back that it was completely out of order for her to marry a man they didn’t know, and typical of her. “Italy has no future and never will,” her father wrote. And her mother: “There is the family to account to, and all our friends. What will they think if we don’t have the wedding here? It looks like you’re running away again, or have something to hide. You owe us some consideration.”

“This marriage is mine,” she wrote back with little grace.

23. Chapter Fourteen

Chapter Fourteen

Marguerite’s pursuit of culture had amused Alberto when she was living in Florence before their marriage.