Chapters (70)
- Cover
- Praise for Two Wrongs
- Praise for Mel McGrath
- About the Author
- Also by Mel McGrath
- Note to Readers
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Author Note
- Acknowledgements
- Extract
- 1
- About the Publisher
The hour between 12.30 and 1.30 a.m. passes in a blur. One moment Nevis is standing on the bridge, the next she is slumped beside a retaining wall, with a stranger’s hand in hers. Her whole body is shaking. A police car arrives, its siren silenced, then another. The police close the bridge and station uniformed officers at either end to divert traffic, though it’s so late that there isn’t much. A few moments later someone lays a space blanket over her shoulders. She is aware of a policewoman imploring her to speak but the words have flown away. She watches Sondra talking to the policewoman but she cannot hear what is being said. Something has gone wrong with her brain. At that moment an ambulance arrives and two paramedics hurry along the bridge. One of them is a young woman not far off Nevis’s age. There are blinking lights and flashing torches everywhere and a rank smell which could be fox, but is actually, Nevis realises only after the fact, the stench of human fear. The scene is so upsetting and so chaotic that one minute Nevis feels as if her head is exploding and then, moments later, as if it’s happening to someone else far away. The female paramedic rests a hand on her arm. Nevis hears herself say, ‘I want to travel with Satnam’ and with a hand around her shoulders the paramedic leads her to the ambulance.
As they make their way through the city in a tunnel of blue light, the paramedic keeps up a flow of chatter. All Nevis’s focus is on why this has happened but she still can’t make head or tail of it. Satnam is her best friend. Shouldn’t she know? Is this because her head’s not quite right, or different anyway? Wouldn’t a real friend have guessed? Shouldn’t she at least have had a clue?
At the hospital she doesn’t want to leave Satnam but they don’t give her a choice. A nurse leads her away to a waiting area in A&E and fires questions. How is she feeling? Does she think she might faint? Would she like a cup of tea? A sandwich? No, no and no. Does she have any idea why this happened? Another no. Did anything happen leading up to this? No, yes, Nevis isn’t sure. The questions fade into the background and a voice that Nevis knows is hers even though it seems to be coming from outside is asking over and over, ‘Is she going to be all right?’