Back This Side of Night
Chapters (110)
  1. Cover
  2. ALSO BY J. TODD SCOTT
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. I
  7. II
  8. PART ONE
  9. ONE
  10. TWO
  11. THREE
  12. FOUR
  13. FIVE
  14. SIX
  15. SEVEN
  16. EIGHT
  17. NINE
  18. TEN
  19. ELEVEN
  20. TWELVE
  21. PART TWO
  22. THIRTEEN
  23. FOURTEEN
  24. FIFTEEN
  25. SIXTEEN
  26. SEVENTEEN
  27. EIGHTEEN
  28. NINETEEN
  29. TWENTY
  30. TWENTY-ONE
  31. TWENTY-TWO
  32. TWENTY-THREE
  33. TWENTY-FOUR
  34. TWENTY-FIVE
  35. TWENTY-SIX
  36. TWENTY-SEVEN
  37. TWENTY-EIGHT
  38. TWENTY-NINE
  39. THIRTY
  40. THIRTY-ONE
  41. THIRTY-TWO
  42. THIRTY-THREE
  43. THIRTY-FOUR
  44. THIRTY-FIVE
  45. THIRTY-SIX
  46. THIRTY-SEVEN
  47. THIRTY-EIGHT
  48. THIRTY-NINE
  49. PART THREE
  50. FORTY
  51. FORTY-ONE
  52. FORTY-TWO
  53. FORTY-THREE
  54. FORTY-FOUR
  55. FORTY-FIVE
  56. FORTY-SIX
  57. FORTY-SEVEN
  58. FORTY-EIGHT
  59. FORTY-NINE
  60. FIFTY
  61. FIFTY-ONE
  62. FIFTY-TWO
  63. FIFTY-THREE
  64. FIFTY-FOUR
  65. FIFTY-FIVE
  66. FIFTY-SIX
  67. FIFTY-SEVEN
  68. FIFTY-EIGHT
  69. FIFTY-NINE
  70. SIXTY
  71. SIXTY-ONE
  72. PART FOUR
  73. SIXTY-TWO
  74. SIXTY-THREE
  75. SIXTY-FOUR
  76. SIXTY-FIVE
  77. SIXTY-SIX
  78. SIXTY-SEVEN
  79. SIXTY-EIGHT
  80. SIXTY-NINE
  81. SEVENTY
  82. SEVENTY-ONE
  83. SEVENTY-TWO
  84. SEVENTY-THREE
  85. SEVENTY-FOUR
  86. SEVENTY-FIVE
  87. SEVENTY-SIX
  88. SEVENTY-SEVEN
  89. SEVENTY-EIGHT
  90. SEVENTY-NINE
  91. EIGHTY
  92. EIGHTY-ONE
  93. EIGHTY-TWO
  94. EIGHTY-THREE
  95. EIGHTY-FOUR
  96. EPILOGUE
  97. I
  98. II
  99. III
  100. IV
  101. V
  102. VI
  103. VII
  104. AUTHOR’S NOTE
  105. ACKNOWLEDGMENTS
  106. Excerpt from LOST RIVER
  107. LITTLE PARIS
  108. DILLON
  109. ABOUT THE AUTHOR
  110. What’s next onyour reading list?

“You want me to pack up our son and leave, so you can open our house to Amé and this man that you’re convinced is a lifelong murderer. A man, I might add, you once thought tried to have you killed, Chris, right here, right outside those windows. Now you’re telling me he has to stay in our home?”

He tried to slow her down. “Danny’s convinced someone’s in Murfee looking for her, or for Fox Uno. Probably both. And he’s convinced me they’re not safe in town anymore. We need a place to wait out the arrangements Fox Uno’s made for Amé’s mother.”

“Oh right, I’m sorry, I didn’t mention the other part of this that doesn’t make any damn sense.” She fixed him with a hard stare. “This man, who’s on the run from the law on both sides of the border, not to mention who knows how many other killers like him, is now miraculously going to spirit Amé’s mother, here, with a phone call? That’s convenient, isn’t it? You said he was only going to stay in Murfee a few days, but this is a lot more than that, a hell of a lot more. Too much. This is our home. Why doesn’t he make a goddamn call for himself and get the fuck out of our lives?”

“Babe, that’s what he’s trying to do. That’s what we’re all trying to do. But it’s different now . . . Amé spoke to someone . . .”

“Her actual mother?”

“No, someone else,” Chris admitted, reluctantly. “A man who works for Fox Uno. He’s called Oso Ocho . . . Gualterio.”

A man Chris had read about in Garrison’s folder. A man who, with one phone call, had made his young deputy believe in all the things Fox Uno had told her and, more important, the one thing he was promising now: that within seventy-two hours he could get her mother safe to Murfee, bringing along with her whatever money and new identities Fox Uno and Zita needed.

“Mel, I can’t ignore this stranger that Marco Lucero told Danny about, either. He was right there in Earlys, where you work, too. He claimed to be a reporter from Austin covering the debate, but Marco didn’t see him there. Danny made some calls, there was no news coverage out of Austin.”

“Oh, finally, the debate. I figured you had forgotten all about that. I don’t suppose this decision about Fox Uno and Amé has anything to do with your performance last night? I didn’t say anything about it then because it was clear you didn’t want to talk, but we’re going to talk about it now. You walked out, Chris.”

“I’m not winning, we both know that.”