Back This Side of Night
Chapters (110)
  1. Cover
  2. ALSO BY J. TODD SCOTT
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. I
  7. II
  8. PART ONE
  9. ONE
  10. TWO
  11. THREE
  12. FOUR
  13. FIVE
  14. SIX
  15. SEVEN
  16. EIGHT
  17. NINE
  18. TEN
  19. ELEVEN
  20. TWELVE
  21. PART TWO
  22. THIRTEEN
  23. FOURTEEN
  24. FIFTEEN
  25. SIXTEEN
  26. SEVENTEEN
  27. EIGHTEEN
  28. NINETEEN
  29. TWENTY
  30. TWENTY-ONE
  31. TWENTY-TWO
  32. TWENTY-THREE
  33. TWENTY-FOUR
  34. TWENTY-FIVE
  35. TWENTY-SIX
  36. TWENTY-SEVEN
  37. TWENTY-EIGHT
  38. TWENTY-NINE
  39. THIRTY
  40. THIRTY-ONE
  41. THIRTY-TWO
  42. THIRTY-THREE
  43. THIRTY-FOUR
  44. THIRTY-FIVE
  45. THIRTY-SIX
  46. THIRTY-SEVEN
  47. THIRTY-EIGHT
  48. THIRTY-NINE
  49. PART THREE
  50. FORTY
  51. FORTY-ONE
  52. FORTY-TWO
  53. FORTY-THREE
  54. FORTY-FOUR
  55. FORTY-FIVE
  56. FORTY-SIX
  57. FORTY-SEVEN
  58. FORTY-EIGHT
  59. FORTY-NINE
  60. FIFTY
  61. FIFTY-ONE
  62. FIFTY-TWO
  63. FIFTY-THREE
  64. FIFTY-FOUR
  65. FIFTY-FIVE
  66. FIFTY-SIX
  67. FIFTY-SEVEN
  68. FIFTY-EIGHT
  69. FIFTY-NINE
  70. SIXTY
  71. SIXTY-ONE
  72. PART FOUR
  73. SIXTY-TWO
  74. SIXTY-THREE
  75. SIXTY-FOUR
  76. SIXTY-FIVE
  77. SIXTY-SIX
  78. SIXTY-SEVEN
  79. SIXTY-EIGHT
  80. SIXTY-NINE
  81. SEVENTY
  82. SEVENTY-ONE
  83. SEVENTY-TWO
  84. SEVENTY-THREE
  85. SEVENTY-FOUR
  86. SEVENTY-FIVE
  87. SEVENTY-SIX
  88. SEVENTY-SEVEN
  89. SEVENTY-EIGHT
  90. SEVENTY-NINE
  91. EIGHTY
  92. EIGHTY-ONE
  93. EIGHTY-TWO
  94. EIGHTY-THREE
  95. EIGHTY-FOUR
  96. EPILOGUE
  97. I
  98. II
  99. III
  100. IV
  101. V
  102. VI
  103. VII
  104. AUTHOR’S NOTE
  105. ACKNOWLEDGMENTS
  106. Excerpt from LOST RIVER
  107. LITTLE PARIS
  108. DILLON
  109. ABOUT THE AUTHOR
  110. What’s next onyour reading list?

This ranch at Cuchillo Negro—one of his favorite places—was among dozens he owned, so many he could not remember them all. It reminded him most of where he’d grown up right on the edge of Durango, although that place no longer existed. On a night like this when he could see every star ever made, when the sky glowed thick with them in all directions above the blackened curves of nearby hills, and when the small fires of distant farms also burned, he imagined hearing the wind itself lost in the trees. He could feel, too, the soft step of unseen animals moving under them. It was vida everywhere, all around him. But as much as he liked it here, he could only spend two or three days at the most, sometimes less, because of the americanos. Las Tres Letras . . . DEA. He could never stay anywhere for long. His life had become disposable, cast away, everything in it ready to be thrown out or discarded at a moment’s notice. He used a cell phone two times and it was replaced with another; fresh laptops and satellite phones were always appearing out of plastic and Styrofoam; new cars and stolen and repainted trucks came and went by the score, changing or disappearing as frequently as the men who drove them and protected him. No longer was he with the same woman twice. No one could know too much, or get too close, except for Gualterio. Not even Martino, who chose to stay away anyway. This was his life now: all these things he could have, yet everything slipping almost untouched through his fingers.

The lyrics of a narcocorrido once boasted that Juan Abrego Carrión owned the world, but that was far from true.

He could buy the world, but he could own nothing.

No longer.

—

HE WANTED TO STAND outside the barn door for a moment more, gather himself for what would come next, but it was never good to be outside, uncovered, for long. Martino, who had studied two years at a university in California, had talked to him of satellites and drones and all the things the americanos were using nowadays to hunt him. No, he truly did not own the world. It owned him, and even the sky held him prisoner.

That’s why they had to light the fire barrel inside the barn, and do this thing he needed to do beneath its roof, so there would be no image of it flashing across the night’s horizon, captured by a camera hidden among the stars.

But in some ways, it did not matter. God saw all anyway, and He knew all that Juan Abrego had done.

—

THEY HAD THE MAN TIED TO A CHAIR, his hands pinned back with copper wire.