Chapters (14)
And you know, if you put the lying part
Aside, it’s fair to say we’ll give our hearts
To that person who brings us attention,
Takes care of business and, yes, who mentions
The good things about us. But that’s just love!
Now, some went proper deep. Some said:
We are surprised to find the women with the deepest thoughts are people we’ve hardly noticed up to now: KELLY, Alvita’s niece; PUBLICAN POLLY; and ASMA, the young rebel wife. They all now stand to speak, and with an intensity that changes the atmosphere in the pub. They speak in their natural accents – Black-British Kilburn for KELLY, Pakistan-inflected for ASMA – but the words themselves seem to come from a transnational sacred text of rights and duties. These women are bearing witness to a truth.
KELLY
Above
All things, we want freedom. Freedom to know
Our own desires. We want to follow
Them where they lead.
ASMA
We want to be free from
The bitter critique of men, banging on
And on about our apparent failings.
PUBLICAN POLLY
We want to hear no more of men saying
We have no judgement or reason. We are
Also wise.
ALVITA breaks the spell of solemnity.
ALVITA
Yes, wise enough to know where our
Sore spots are. Where the truth hurts. If you ask
To touch us there, there’s a kick up the arse
For telling us the bit we don’t want to
Hear or take on board. Come try it and you’ll
See. We nuh easy! Not women nor girls.
Still, it’s nice to think we’re perfect angels …
Now, some said:
We see Colin’s fiancée SOPHIE, now dressed like an eighteenth-century British woman on the island, fanning herself from the heat.
SOPHIE
What we so appreciate
Is being considered, as women, great
And loyal friends. Who can keep a secret,
Choose a purpose, and be steadfast to it.
And who never betray a confidence.
ALVITA
Maybe you think that all makes perfect sense,
But, we have a saying round here: Finger
Neber say: ‘Look here,’ ’im say: ‘Look yonder.’
Meaning: people don’t like to point out their
Own flaws? But I know women tell and share
Secrets. If they say they don’t they’re lying.
’S’like that tale I read in that book of Ryan’s
About King Midas – you wanna hear it?
The PUB CHORUS look at each other and then with slight weariness grab their curtain-togas again for this brief interlude. Throughout the next section, RYAN plays King Midas. We may get the sense, as the story progresses, that ALVITA is talking less about Midas’s dirty secret as much as Ryan’s marital failings, principally his domestic abuse, which is a secret, of course, that Alvita has refused to keep … And as they tell the apparently frivolous story of Midas, we sense a more serious subtext beneath.
ALVITA