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Chapters (14)
  1. Cover
  2. About the Author
  3. By the same author
  4. Dedication
  5. Introduction
  6. Dramatis Personae
  7. THE WIFE OF WILLESDEN
  8. The General Lock-In
  9. The Wife of Willesden’s Prologue
  10. The Wife of Willesden’s Tale
  11. A Retraction
  12. Acknowledgements
  13. THIS IS JUST THE BEGINNING
  14. Footnotes

Still, despite the fact that Alyson has turned into Alvita – and then been split many times over into all her husbands and friends – the text is, for the most part, a direct transposition of the Wife of Bath’s prologue and tale. Here and there I have made judgement calls, substituting contemporary references for ones I thought too obscure to be meaningful to contemporary audiences. For example, the Pardoner, the Summoner and the Friar – all of whom make brief appearances in the Wife of Bath’s prologue – have been transformed, respectively, into their modern vocational equivalents: a charity chugger, a bailiff, and the minister of a local megachurch. I have also taken a few liberties with the structure. All of Chaucer’s tales are framed and bookended by the opening General Prologue and the final Retraction; the same is true here, but I have radically paraphrased – and mercifully shortened – both. The greatest change, perhaps, is in the tale itself, which has been switched from Arthurian England to eighteenth-century Jamaica. Try as I might, I couldn’t imagine Alvita using King Arthur as a point of reference. These transformations aside, I’m proud to call the Wife of Bath and the Wife of Willesden half-sisters. I’ve so enjoyed my time with both of these wild women. I’d like to claim Alvita is the more feisty of the two, but the truth is you’ll find all her feistiness in the original. That said, she certainly is more Kilburn and more Jamaica. She nah easy and she talk her mind.

Dramatis Personae

In order of appearance

ALVITA, THE WIFE OF WILLESDEN A Jamaican-born British woman in her mid-fifties

AUTHOR A brown woman in a headwrap

PUBLICAN POLLY The woman who runs the Colin Campbell pub

AUNTIE P Alvita’s churchgoing aunt

PASTOR JEGEDE A Nigerian minister at a North London megachurch

KELLY Alvita’s very shy niece

HUSBAND NO. 1, IAN An older, white Englishman

HUSBAND NO. 2, DARREN A young, good-looking bwoy

HUSBAND NO. 3, WINSTON A Rastaman

HUSBAND NO. 4, ELRIDGE A well-to-do gentleman in his fifties, of Caribbean heritage

HUSBAND NO. 5, RYAN A Scottish student doing his Masters

GOD

ST PAUL

BLACK JESUS

ZAIRE Alvita’s best friend

COLIN A charity chugger in his early twenties

SOPHIE Colin’s fiancée

NELSON MANDELA

ASMA Local rebel wife

SOCRATES

ERIPHYLE A bad wife of legend

ARRIUS A vengeful husband of legend

BARTOSZ A local bailiff

STAGEHAND 1 A child

STAGEHAND 2 A child

QUEEN NANNY Our Maroon hero of Old Jamaica

YOUNG MAROON A soldier in Queen Nanny’s army

OLD WIFE An Obeah woman of advanced years

The same actors play:

Author, Kelly, Zaire, Eriphyle and Queen Nanny

Publican Polly, God and Sophie

Auntie P and Old Wife

Pastor Jegede and Husband Elridge

Husband Ian, St Paul, Socrates, Arrius and Bartosz

Husband Darren, Colin and Young Maroon

Husband Winston, Black Jesus and Nelson Mandela

Incidental characters and choruses are
played by members of the cast.

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THE WIFE OF WILLESDEN

The General Lock-In