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Contents (57)
  1. THE TRIMMED LAMP
  2. * * *
  3. O. HENRY
  4. *
  5. Contents
  6. *
  7. The Trimmed Lamp
  8. *
  9. A Madison Square Arabian Night
  10. *
  11. The Rubaiyat of a Scotch Highball
  12. *
  13. The Pendulum
  14. *
  15. Two Thanksgiving Day Gentlemen
  16. *
  17. The Assessor of Success
  18. *
  19. The Buyer from Cactus City
  20. *
  21. The Badge of Policeman O'Roon
  22. *
  23. Brickdust Row
  24. *
  25. The Making of a New Yorker
  26. *
  27. Vanity and Some Sables
  28. *
  29. The Social Triangle
  30. *
  31. The Purple Dress
  32. *
  33. The Foreign Policy of Company 99
  34. *
  35. The Lost Blend
  36. *
  37. A Harlem Tragedy
  38. *
  39. "The Guilty Party"
  40. *
  41. According to Their Lights
  42. *
  43. A Midsummer Knight's Dream
  44. *
  45. The Last Leaf
  46. *
  47. The Count and the Wedding Guest
  48. *
  49. The Country of Elusion
  50. *
  51. The Ferry of Unfulfilment
  52. *
  53. The Tale of a Tainted Tenner
  54. *
  55. Elsie in New York
  56. *
  57. * * *

"I wouldn't listen to no such reports, Miss Lizzie," said the waiter smoothly, from the narrow opening above his chin. "Kid Mullaly's not the guy to throw a lady like you down. Seltzer on the side?"

"Two years," repeated Liz, softening a little to sentiment under the magic of the distiller's art. "I always used to play out on the street of evenin's 'cause there was nothin' doin' for me at home. For a long time I just sat on doorsteps and looked at the lights and the people goin' by. And then the Kid came along one evenin' and sized me up, and I was mashed on the spot for fair. The first drink he made me take I cried all night at home, and got a lickin' for makin' a noise. And now—say, Tommy, you ever see this Annie Karlson? If it wasn't for peroxide the chloroform limit would have put her out long ago. Oh, I'm lookin' for 'm. You tell the Kid if he comes in. Me? I'll cut his heart out. Leave it to me. Another whiskey, Tommy."

A little unsteadily, but with watchful and brilliant eyes, Liz walked up the avenue. On the doorstep of a brick tenement a curly-haired child sat, puzzling over the convolutions of a tangled string. Liz flopped down beside her, with a crooked, shifting smile on her flushed face. But her eyes had grown clear and artless of a sudden.

"Let me show you how to make a cat's-cradle, kid," she said, tucking her green silk skirt under her rusty shoes.

And while they sat there the lights were being turned on for the dance in the hall of the Small Hours Social Club. It was the bi-monthly dance, a dress affair in which the members took great pride and bestirred themselves huskily to further and adorn.

At 9 o'clock the President, Kid Mullaly, paced upon the floor with a lady on his arm. As the Loreley's was her hair golden. Her "yes" was softened to a "yah," but its quality of assent was patent to the most Milesian ears. She stepped upon her own train and blushed, and—she smiled into the eyes of Kid Mullaly.

And then, as the two stood in the middle of the waxed floor, the thing happened to prevent which many lamps are burning nightly in many studies and libraries.

Out from the circle of spectators in the hall leaped Fate in a green silk skirt, under the nom de guerre of "Liz." Her eyes were hard and blacker than jet. She did not scream or waver. Most unwomanly, she cried out one oath—the Kid's own favorite oath—and in his own deep voice; and then while the Small Hours Social Club went frantically to pieces, she made good her boast to Tommy, the waiter—made good as far as the length of her knife blade and the strength of her arm permitted.

And next came the primal instinct of self-preservation—or was it self-annihilation, the instinct that society has grafted on the natural branch?